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First A.M.E. Zion Church
54 McDonough Street at Tompkins Avenue
Brooklyn, NY 11216
Organ Specifications: 54 McDonough Street at Tompkins Avenue (since 1947) • IV/ Allen Organ Company electronic
► IV/46 Ernest M. Skinner Company, Op. 145 (1907)
Bridge Street and Mrytle Avenue (1905-1947)
• unknown Fleet Street near Myrtle Avenue (1885-1905) • unknown |
The First African Methodist Episcopal (A.M.E.) Zion Church of Brooklyn has worshiped since the 1940s in the former Tompkins Avenue Congregational Church.
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Allen Organ Company
Macungie, Penn.
Electronic tonal production
4 manuals
Specifications for this organ have not yet been located. |
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Ernest M. Skinner Company
Boston, Mass. – Opus 145 (1907)
Electro-pneumatic action
4 manuals, 56 stops, 46 ranks
In 1907, Ernest M. Skinner Company of Boston installed a four-manual-and-pedal organ in Tompkins Avenue Church. Skinner retained the existing case and 28 ranks from the previous Midmer organ, and also installed an early example of his Orchestral Oboe stop. The organ was played from a compact four-manual "bat-wing" console, its nickname derived from the hinged stop jambs ("wings") on each side that could be positioned at the desired angle; when the jambs were pulled close to the keyboards, a roll-top cover could be closed over the keyboards. Due to their compactness, many of the "bat-wing" consoles (such as those built by Geo. S. Hutchings) did not have enough room for drawknob actions that could be moved by the combinations. However, for this organ Skinner was able to have the knobs visibly move when a combination was engaged.
The organ was dedicated on March 2, 1908 by Clarence Eddy, who was then the organist and choirmaster of the church. Marcel Dupré presented his last American concert of 1937 on this organ, performing Bach's Fantasy and Fugue in G minor; the Allegro from Handel's Organ Concerto No. 10; Mozart's Fantasy in F minor; Sowerby's "Comes Autumn Time," and works of Saint-Saëns, Mendelssohn, Reger, Russell, Schubert and Dupré.
As of 2006, the organ was extant but unplayable. |
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Great Organ (Manual II) – 61 notes
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16 |
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Bourdon (wood) |
61 |
8 |
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Erzahler |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Gross Floete (wood) |
61 |
16 |
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Ophecleide |
SO |
8 |
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Gedackt (wood) |
61 |
8 |
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Harmonic Tuba |
SO |
8 |
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Gamba |
61 |
4 |
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Harmonic Clarion |
SO |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon (wood) |
61 |
4 |
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Octave |
61 |
8 |
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First Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Second Diapason |
61 |
4 |
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Violin |
61 |
8 |
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Spitz Floete |
61 |
2 |
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Flautino |
61 |
8 |
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Stopped Diapason |
61 |
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Solo Mixture III ranks |
183 |
8 |
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Aeoline |
61 |
16 |
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Trumpet |
61 |
8 |
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Salicional |
61 |
8 |
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Cornopean |
61 |
8 |
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Voix Celestes |
61 |
8 |
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Oboe |
61 |
8 |
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Dulcet II ranks |
122 |
8 |
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Vox Humana |
61 |
8 |
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Quintadena |
61 |
4 |
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Clarion |
61 |
8 |
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Gross Floete (wood) |
61 |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed with Solo
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8 |
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Diapason |
61 |
2 |
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Piccolo |
61 |
8 |
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Melodia (wood) |
61 |
8 |
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Clarinet |
61 |
8 |
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Dulciana |
61 |
8 |
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Orchestral Oboe |
61 |
8 |
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Unda Maris |
61 |
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Tremolo |
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4 |
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Flute |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed with Choir
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8 |
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Philomela |
61 |
4 |
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Harmonic Clarion [ext.] |
— |
16 |
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Ophecleide [ext.] |
— |
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Chimes |
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8 |
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Harmonic Tuba [unit] |
85 |
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Pedal Organ – 30 notes
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32 |
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Diapason (wood) |
54 |
8 |
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Gedackt [ext.] |
— |
16 |
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Diapason [ext.] |
— |
8 |
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'Cello [ext.] |
— |
16 |
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First Bourdon (wood) |
42 |
16 |
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Ophecleide |
SO |
16 |
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Second Bourdon |
GT |
8 |
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Harmonic Tuba |
SO |
16 |
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Violone (wood) |
42 |
4 |
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Harmonic Clarion |
SO |
8 |
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Octave [ext.] |
— |
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Couplers
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Swell to Pedal 8', 4' |
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Solo to Swell |
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Great to Pedal |
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Swell to Choir 16', 8', 4' |
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Choir to Pedal |
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Solo to Choir |
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Solo to Pedal |
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Swell to Swell 16', 4' |
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Swell to Great 16', 8', 4' |
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Choir to Choir 16', 4' |
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Choir to Great 16', 8', 4' |
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Solo to Solo 16', 4' |
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Solo to Great 16', 8, 4' |
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Combinations (All adjustable at console and visibly operating the stops)
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| Swell Organ |
Pistons 1-2-3-4-5-6-0 |
| Great Organ |
Pistons 1-2-3-4-5-0 |
| Choir Organ |
Pistons 1-2-3-4-0 |
| Solo Organ |
Pistons 1-2-3-0 |
| Pedal Organ |
Pistons 1-2-3-0 |
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Pedal Movements
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Balanced Swell Pedal |
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Reversible Great to Pedal |
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Balanced Choir Pedal |
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Reversible Pedal for Swell Tremolo |
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Balanced Crescendo Pedal |
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Sforzando Pedal |
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Sources:
Aeolian-Skinner Archives web site: http://aeolian-skinner.110mb.com/. Stoplist of Skinner Organ, Op. 145.
Allen Organ Studios, Inc. (Mineola, NY) web site: http://www.allenorgans-nyc.com/. Allen Organ specifications.
"Dupre Recital Tonight," article in The New York Times (Dec 3, 1937).
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Kinzey, Allen, and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List. New Rev. Ed. Richmond: The Organ Historical Society, 1997.
Stiles, Henry R. History of the City of Brooklyn. Including the Old Town and Village of Brooklyn, The Town of Bushwick, and The Village and City of Williamsburgh. 1867-70.
Trupiano, Larry. Factory Specifications of Ernest M. Skinner organ, Op. 145 (1907).
Wong, Jai Lin. A History of Bedford-Stuyvesant. Excerpted on NYC Architecture Images web site: http://www.nyc-architecture.com/BES/BedStuy.htm
Illustrations:
Brooklyn Daily Eagle photos from Brooklyn Public Library, Brooklyn Collection.
Birk, Eric. Photo of interior.
Schutt, Dave. Console of Ernest M. Skinner organ, Op. 145 (1907). |
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