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St. Mary Episcopal Church
230 Classon Avenue corner Willoughby Street
Brooklyn, N.Y. 11205
St. Mary’s Protestant Episcopal Church was begun on Classon avenue at the Wallabout, by the Rev. D. V. M. Johnson, while in charge of Trinity church. A Sunday school was established in March, 1836, and formed the nucleus of a church. Here the Rev. Mr. Johnson held services on Sunday afternoons for about six months. In May, 1837, Mr. Joseph Hunter took charge of the school, and served as a lay-reader to a small congregation which assembled with the children. During the year an edifice of a very limited extent was erected, and a church organized, to which the name of St. Mary’s was given. This was consecrated on the first of February, 1840, and was enlarged in 1841, so as to accommodate about two hundred and fifty persons. The parish grew rapidly during the following years, and the church was twice enlarged. In 1856, the Rev. Mr. Johnson, who was originally instrumental in forming the parish, became rector; and as the accommodations were no longer adequate, ground was purchased in the neighborhood, on Classon avenue, near Myrtle, one hundred and sixty-four feet front and two hundred and eighteen deep.
The corner-stone of a new edifice of brown freestone was laid in the summer of 1858; and the neat and tasteful Gothic structure, designed by Mr. [Richard T.] Auchmuty, fifty-eight fleet wide and one hundred and fifteen feet long, with its tower and spire, and a capacious basement fitted up for the Sunday school, completed in the year following, and opened for divine services on Trinity Sunday. The outlay for ground and church was $32,000; the sittings are free. On the 24th of May, 1862, St. Mary’s was consecrated by the bishop of the diocese, the Rev. Dr. William F. Morgan, of St. Thomas’s church, New York, preaching the sermon.
from History of the City of Brooklyn by Henry R. Stiles
In 1981, St. Mary's Episcopal Church was designated a landmark by the New York City Landmarks Preservation Commission, and in 1983 the church was listed on the National Register of Historic Places. |
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M.P. Möller, Inc.
Hagerstown, Md. – Opus 2339 (1917)
Electro-pneumatic action
4 manuals, 44 stops, 35 ranks
The third organ in the present church was built in 1917 by M.P. Möller of Hagerstown, Md. This organ was featured in The American Organist (May 1918), which described the installation as follows:
"Swell organ occupies the lower story in organ chamber at north side of Chancel; choir and enclosed great in second story, above swell; solo, double story at east end of chamber, with openings into chancel, and eight shades additional into church through great and choir chamber. Pedal pipes and all three great Open Diapasons on open chests in 10 foot extension into north aisle. Eight shades each for swell, and great and choir organs open into chancel, and eight others for each chamber open westward into nave of church. In all 43 shades, giving great expressive control. Chambers of heavy double woodwork with paper felt between, shades 2½ inch laminated, bevelled edges with heavy felt. The old casing was retained for reasons of sentiment. Console, of dark oak, stands at south side of chancel. A.G.O. pedal board."
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Great Organ (Manual II) – 61 notes, partially enclosed (4" wind pressure) |
16 |
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Double Open Diapason |
61 |
4 |
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Octave * |
61 |
8 |
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1st Open Diapason |
61 |
4 |
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Flute Harmonic * |
61 |
8 |
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2nd Open Diapason |
61 |
2 |
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Fifteenth * |
61 |
8 |
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Doubleflute * |
61 |
8 |
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Trumpet * |
61 |
8 |
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Viola * |
61 |
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* enclosed with Choir |
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Swell Organ (Manual III) – 61 notes, enclosed (4" wind pressure) |
16 |
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Bourdon |
73 |
4 |
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Stopped Flute |
73 |
8 |
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Open Diapason |
73 |
2 |
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Flautina |
73 |
8 |
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Clarabella |
73 |
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Mixture III ranks [12-15-17] |
219 |
8 |
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Salicional |
73 |
8 |
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Cornopean |
73 |
8 |
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Viole d'Orchestra |
73 |
8 |
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Oboe |
73 |
8 |
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Celeste [TC] |
61 |
8 |
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Vox Humana |
73 |
4 |
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Principal |
73 |
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Tremulant |
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Choir Organ (Manual I) – 61 notes, enclosed (4" wind pressure) |
8 |
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Violin Diapason |
61 |
4 |
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Open Flute |
61 |
8 |
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Melodia |
61 |
2 |
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Piccolo |
61 |
8 |
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Dulciana |
61 |
8 |
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Clarinet |
61 |
8 |
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Vox Angelica [TC] |
49 |
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Tremulant |
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Solo Organ (Manual IV) – 61 notes, enclosed (10" wind pressure) |
8 |
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Diapason |
61 |
8 |
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Tuba Mirabilis |
— |
16 |
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Tuba Profunda [unit] |
85 |
4 |
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Tuba Clarion |
— |
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Pedal Organ – 30 notes (4" and 10" wind pressure) |
32 |
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Resultant |
— |
8 |
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Flute |
— |
16 |
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Open Diapason |
30 |
8 |
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Violoncello [Vln. Diap.] |
CH |
16 |
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Bourdon |
42 |
16 |
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Tuba Profunda |
SO |
16 |
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Echo Bourdon |
SW |
8 |
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Tuba Mirabilis |
SO |
16 |
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Violone [Dbl. Op. Diap.] |
GT |
4 |
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Tuba Clarion |
SO |
8 |
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Octave [Dbl. Op. Diap.] |
GT |
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Couplers
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Great to Pedal 8' |
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Choir to Swell 8' |
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Swell to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Choir to Pedal 8' |
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Great 16', 4', Unison Off |
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Solo to Pedal 8' |
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Swell 16', 4', Unison Off |
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Swell to Great 16', 8', 4' |
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Choir 16', 4', 4', Unison Off |
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Choir to Great 16', 8', 4' |
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Solo 4' (affects 8' Diapason only) |
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Solo to Great 8' |
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Adjustable Combinations
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| Solo Organ |
Pistons 1-2-3 (thumb) |
| Swell Organ |
Pistons 1-2-3-4-5 (thumb) |
| Great Organ |
Pistons 1-2-3-4 (thumb) |
| Choir Organ |
Pistons 1-2-3-4 (thumb) |
| Pedal Organ |
Pistons 1-2-3 (thumb) |
| Entire Organ |
Pistons 1-2-3-4-5-6 (thumb & toe) |
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Pedal Movements
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Balanced Pedal – Great & Choir |
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Pianissimo |
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Balanced Pedal – Swell |
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Fortissimo |
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Balanced Pedal – Solo |
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Cancel for Pianissimo |
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Register Crescendo Pedal |
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Cancel for Fortissimo |
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Great to Pedal Reversible |
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1909 photo showing Reuben Midmer & Sons organ |
Reuben Midmer & Sons
Brooklyn, N.Y. (1870)
Mechanical action
3 manuals, 32 stops, 36 ranks
In 1870, a new three-manual organ by Reuben Midmer & Sons was installed in the church. A "Grand Exhibition of the New Organ at St. Mary's Church" took place on Tuesday evening, May 9, 1871. Sharing the programme were four Brooklyn organists: John M. Loretz, Jr. (St. Ann's), S. B. Whitley (Holy Trinity), Albert S. Caswell (Westminster), and W.A.M. Diller (St. Mary's); and three organists from New York: Arthur H. Messiter (Trinity Church), George Wm. Warren (St. Thomas), and Dr. Clare W. Beames (no church given). Built at a "Price about $5,600," the new organ had the following scheme: |
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Great Organ (Manual II) – 58 notes
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16 |
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Double Diapason |
58 |
2 2/3 |
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Twelfth |
58 |
8 |
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Open Diapason |
58 |
2 |
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Fifteenth |
58 |
8 |
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Viola di Gamba |
58 |
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Sesquialtera, 3 ranks |
174 |
8 |
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Doppel Flute |
58 |
8 |
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Trumpet |
58 |
4 |
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Principal |
58 |
4 |
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Clarion |
58 |
4 |
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Flute Harmonic |
58 |
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Swell Organ (Manual III) – 58 notes, enclosed
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16 |
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Bourdon |
58 |
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Cornet, 3 ranks [12, 15, 17] |
174 |
8 |
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Open Diapason |
58 |
8 |
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Cornopean |
58 |
8 |
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Salicional |
58 |
8 |
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Hautboy |
58 |
8 |
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Stopped Diapason |
58 |
8 |
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Vox Humana [TC] |
46 |
4 |
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Principal |
58 |
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Tremulant |
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4 |
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Flute d'Amour |
58 |
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Choir Organ (Manual I) – 58 notes
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8 |
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Dulciana |
58 |
4 |
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Violino |
58 |
8 |
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Keraulopohon |
58 |
2 |
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Piccolo |
58 |
8 |
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Melodia |
58 |
8 |
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Clarinet [TC] |
46 |
4 |
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Flauto Traverso |
58 |
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Pedale Organ – 30 notes
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16 |
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Double Open Diapason |
30 |
8 |
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Violoncello |
30 |
16 |
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Double Dulciana |
30 |
16 |
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Trombone |
30 |
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Couplers
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Great to Pedals |
operated by Pedal double acting |
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Choir to Pedals |
operated by Pedal double acting |
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Swell to Pedals |
operated by Pedal double acting |
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Great to Swell |
}
}
operated by thumb knobs between great & swell manuals
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Great to Choir |
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Choir to Swell |
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Composition Pedals
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1. |
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To operate full Great Organ except reeds. |
2. |
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To reduce full Great Organ to Double Diapason, Viola di Gamba & Doppel Flute |
3. |
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To operate full Swell Organ except Hautboy |
4. |
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To reduce full Swell Organ to Open Diapason, Salicional & Stopped Diapason |
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Mechanicals
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Balanced Swell Pedal |
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Tremulant to Swell |
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Hydraultic Engine (Forrester's Patent) to cellar of church, where are placed also four horizontal feeders, the wind from the same being conducted to the bellows in organ chamber. |
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Illumination of pipes by Mr. John Herbold |
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William H. Davis
New York City (1859)
Mechanical action
Specifications for this organ have not yet been located. |
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Organ in Parish Hall:
L.C. Harrison & Co.
Bloomfield, N.J. (1890)
Mechanical action
1 manuals, 7 stops, 7 ranks
The organ in the Parish Hall was built in 1890 by L.C. Harrison & Co. of Bloomfield, N.J. This organ is extant but unplayable. |
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Manual – 58 notes
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8 |
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Open Diapason |
58 |
8 |
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Gamba |
58 |
8 |
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Melodia [TC] |
46 |
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[Blank] - 4' Flute Harmonic? |
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8 |
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Stop'd Diapason Bass |
12 |
4 |
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Principal |
58 |
8 |
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Dulciana [TC] |
46 |
2 |
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Fifteenth |
58 |
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Pedal – 25 notes
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16 |
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Bourdon Bass |
25 |
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Accessories
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Pedal to Manual Coupler |
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Bellows Signal |
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Ped. Bourdon Octave 8' Coupler |
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Sources:
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
"Grand Exhibition of the New Organ at St. Mary's Church" (May 9, 1871). Programme and Scheme of the Reuben Midmer & Sons organ (1870). Courtesy Larry Trupiano.
Morrone, Francis. An Architectural Guidebook to Brooklyn. Brooklyn: Gibbs Smith, 2001.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
"Prower Symons' New Organ," The American Organist (May 1918): 270,275. Specifications of M. P. Möller organ, Op. 2339 (1917). Courtesy Jonathan Bowen.
Smith, Mark Victor. Specifications of L.C. Harrison organ (1890).
Stiles, Henry Reed. History of the City of Brooklyn, New York. Brooklyn: 1867-70.
Webber, F.R. "Organ scrapbook" at Organ Historical Society Archives, Princeton, N.J. Specifications of Reuben Midmer & Sons organ (1870). Courtesy Jonathan Bowen.
Illustrations:
The American Organist (May 1918). Console of M. P. Möller organ, Op. 2339 (1917). Courtesy Jonathan Bowen.
eBay.com. 1909 photo of church interior. |
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