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1909 Photo of Interior |
St. Mary Episcopal Church
230 Classon Avenue corner Willoughby Street
Brooklyn, N.Y. 11205
St. Mary’s Protestant Episcopal Church was begun on Classon avenue at the Wallabout, by the Rev. D. V. M. Johnson, while in charge of Trinity church. A Sunday school was established in March, 1836, and formed the nucleus of a church. Here the Rev. Mr. Johnson held services on Sunday afternoons for about six months. In May, 1837, Mr. Joseph Hunter took charge of the school, and served as a lay-reader to a small congregation which assembled with the children. During the year an edifice of a very limited extent was erected, and a church organized, to which the name of St. Mary’s was given. This was consecrated on the first of February, 1840, and was enlarged in 1841, so as to accommodate about two hundred and fifty persons. The parish grew rapidly during the following years, and the church was twice enlarged. In 1856, the Rev. Mr. Johnson, who was originally instrumental in forming the parish, became rector; and as the accommodations were no longer adequate, ground was purchased in the neighborhood, on Classon avenue, near Myrtle, one hundred and sixty-four feet front and two hundred and eighteen deep. The corner-stone of a new edifice of brown freestone was laid in the summer of 1858; and the neat and tasteful Gothic structure, designed by Mr. [Richard T.] Auchmuty, fifty-eight fleet wide and one hundred and fifteen feet long, with its tower and spire, and a capacious basement fitted up for the Sunday school, completed in the year following, and opened for divine services on Trinity Sunday. The outlay for ground and church was $32,000; the sittings are free. On the 24th of May, 1862, St. Mary’s was consecrated by the bishop of the diocese, the Rev. Dr. William F. Morgan, of St. Thomas’s church, New York, preaching the sermon.
from History of the City of Brooklyn by Henry R. Stiles
In 1981, St. Mary's Episcopal Church was designated by the New York City Landmarks Preservation Commission, and in 1983 was listed on the National Register of Historic Places. |
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M.P. Möller, Inc.
Hagerstown, Md. – Opus 2339 (1917)
Electro-pneumatic action
4 manuals, 44 stops, 35 ranks
The status of this organ in 2007 is unknown.
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Great Organ (Manual II) – 61 notes, partially enclosed (4" wind pressure) |
16 |
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Double Open Diapason |
61 |
4 |
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Octave * |
61 |
8 |
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1st Open Diapason |
61 |
4 |
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Flute Harmonic * |
61 |
8 |
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2nd Open Diapason |
61 |
2 |
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Fifteenth * |
61 |
8 |
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Doubleflute * |
61 |
8 |
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Trumpet * |
61 |
8 |
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Viola * |
61 |
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* enclosed with Choir |
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Swell Organ (Manual III) – 61 notes, enclosed (4" wind pressure) |
16 |
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Bourdon |
73 |
4 |
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Stopped Flute |
73 |
8 |
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Open Diapason |
73 |
2 |
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Flautina |
73 |
8 |
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Clarabella |
73 |
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Mixture III ranks [12-15-17] |
219 |
8 |
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Salicional |
73 |
8 |
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Cornopean |
73 |
8 |
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Viole d'Orchestra |
73 |
8 |
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Oboe |
73 |
8 |
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Celeste [TC] |
61 |
8 |
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Vox Humana |
73 |
4 |
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Principal |
73 |
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Tremulant |
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Choir Organ (Manual I) – 61 notes, enclosed (4" wind pressure) |
8 |
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Violin Diapason |
61 |
4 |
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Open Flute |
61 |
8 |
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Melodia |
61 |
2 |
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Piccolo |
61 |
8 |
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Dulciana |
61 |
8 |
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Clarinet |
61 |
8 |
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Vox Angelica [TC] |
49 |
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Tremulant |
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Solo Organ (Manual IV) – 61 notes, enclosed (10" wind pressure) |
8 |
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Diapason |
61 |
8 |
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Tuba Mirabilis [ext.] |
— |
16 |
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Tuba Profunda |
85 |
4 |
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Tuba Clarion [ext.] |
— |
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Pedal Organ – 30 notes (4" and 10" wind pressure) |
32 |
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Resultant |
— |
8 |
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Flute [ext. 16'] |
— |
16 |
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Open Diapason |
30 |
8 |
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Violoncello [Violin Diap.] |
CH |
16 |
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Bourdon |
42 |
16 |
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Tuba Profunda + |
SO |
16 |
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Echo Bourdon |
SW |
8 |
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Tuba Mirabilis + |
SO |
16 |
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Violone [fr. GT 16' O. Diap.] |
GT |
4 |
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Tuba Clarion + |
SO |
8 |
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Octave [fr. GT 16' O. Diap.] |
GT |
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+ 10" wind pressure |
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Reuben Midmer & Sons
Brooklyn, N.Y. (1870)
Mechanical action
3 manuals, 32 stops, 36 ranks
The following specification was recorded by F.R. Webber (1887-1963), whose "Organ Scrapbooks" are in the possession of The Organ Historical Society Archives in Princeton, N.J. Webber notes that the organ cost $5,000, and "Weekly Review". |
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Great Organ (Manual II) – 58 notes
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16 |
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Double Diapason |
58 |
2 2/3 |
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Twelfth |
58 |
8 |
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Open Diapason |
58 |
2 |
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Fifteenth |
58 |
8 |
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Viola di Gamba |
58 |
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Sesquialtera, 3 ranks |
174 |
8 |
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Doppel Flute |
58 |
8 |
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Trumpet |
58 |
4 |
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Principal |
58 |
4 |
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Clarion |
58 |
4 |
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Flute Harmonique |
58 |
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Swell Organ (Manual III) – 58 notes, enclosed
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16 |
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Bourdon |
58 |
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Cornet, 3 ranks |
174 |
8 |
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Open Diapason |
58 |
8 |
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Cornopean |
58 |
8 |
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Salicional |
58 |
8 |
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Hautboy |
58 |
8 |
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Stopped Diapason |
58 |
8 |
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Vox Humana [TC] |
46 |
4 |
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Principal |
58 |
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Tremulant |
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4 |
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Flute d'Amour |
58 |
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Choir Organ (Manual I) – 58 notes
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8 |
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Dulciana |
58 |
4 |
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Violino |
58 |
8 |
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Keraulopohon |
58 |
2 |
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Piccolo |
58 |
8 |
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Melodia |
58 |
8 |
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Clarinet [TC] |
46 |
4 |
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Flauto Traverso |
58 |
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Pedale Organ – 30 notes
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16 |
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Double Open Diapason |
30 |
8 |
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Violoncello |
30 |
16 |
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Double Dulciana |
30 |
16 |
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Trombone |
30 |
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Couplers
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Great to Pedals |
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Great to Swell |
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Choir to Pedals |
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Great to Choir |
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Swell to Pedals |
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Choir to Swell |
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Compositions
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Four composition pedals |
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William H. Davis
New York City (1859)
Mechanical action
Specifications for this organ have not yet been located. |
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Organ in Parish Hall:
L.C. Harrison & Co.
New York City – Opus 1350 (ca.1890)
Mechanical action
1 manuals, 7 stops
Specifications for this organ have not yet been located. |
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Sources:
The American Organist. New York: May 1918. Courtesy Jonathan Bowen.
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Morrone, Francis. An Architectural Guidebook to Brooklyn. Brooklyn: Gibbs Smith, 2001.
Stiles, Henry Reed. History of the City of Brooklyn, New York. Brooklyn: 1867-70.
Webber, F.R. "Organ scrapbook" at Organ Historical Society Archives, Princeton, N.J. Specification of Reuben Midmer & Sons organ (1870). Courtesy Jonathan Bowen.
Photos:
eBay.com: 1909 photo of church interior.
Möller Organ console photo. The American Organist. New York: May 1918. Courtesy Jonathan Bowen. |
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