All Souls Unitarian Church - New York City (Photo: John Rust)

 

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All Souls Church
(Unitarian Universalist)

1157 Lexington Avenue at 80th Street
New York, N.Y. 10021
http://www.allsoulsnyc.org


Organ Specifications:
1157 Lexington Avenue at 80th Street (since 1932)
III/53 Holtkamp Organ Company (1989)
III/37 Austin Organs Inc., Op. 1707 (1932)
249 Fourth Avenue at 20th Street (1855-1932)
III/40 Ferris & Stuart (1856)
548 Broadway near Spring Street (1845-1855)
III/33 E. & G.G. Hook, Op. 65 (1844)
Chambers Street (1821-1845)
• unknown


Church of the Divine Unity - New York City (Putnam's Monthly, Sept. 1853)  
Church of the Divine Unity  
The Unitarian Universalist society known today as All Souls Church was founded in 1819 as the First Congregational Church in the City of New York. The first church, built from 1820-21 and located on Chambers Street between the Broad Way and Church Street, was dedicated on January 21, 1821. A new church was built in 1845 on Broadway, near Spring Street, and the congregation voted to call itself "The Church of the Divine Unity."

  All Souls Unitarian Church aka the Church of the Holy Zebra - New York City
  Church of the Holy Zebra (c.1855)
Following the northerly movement of residents, the society moved to a new church on southeast corner of Fourth Avenue (now Park Avenue South) and 20th Street. Built from 1853-55, the new edifice was designed by Jacob Wrey Mould. One prominent architectural critic pronounced it "the most unfortunate ecclesiastical edifice ever to be erected not only in New York, but anywhere else in the world for that matter." In fashioning the first major example of Byzantine Revival architecture in the United States, the architect employed two radically different kinds of brick, the reddest possible Philadelphia brick and a light yellow brick (Caen stone) from Italy. He juxtaposed the two in broad alternating stripes from top to bottom. Hence the church's nicknames: the Beefsteak Church, and, soon thereafter, the Church of the Holy Zebra. All Souls Church would influence Leopold Eidlitz, architect of the Church of the Holy Trinity (Episcopal) on Madison Avenue and Temple Emanu-El on East 43rd Street.

By the 1920s, the congregation sought to move uptown, and in the Spring of 1929 sold its Fourth Avenue property for $475,000 to an investment developer. Land was purchased on the southeast corner of Lexington Avenue and 80th Street and plans were drawn for a new church that would cost $1.25 million. In the interim, the congregation worshiped in the MacDowell Club at 166 East 73rd Street. With the onset of the Depression, the purchaser of the old property defaulted and the property reverted to the congregation. Luckily, the son of the late George F. Baker, a banker and philanthropist who had been a trustee of the church for more than half a century, arranged to cover the interest on the loan taken out for the new church. On August 23, 1931, the old landmark church was destroyed by fire.

The present church was designed by Hobart Upjohn, Richard Upjohn's grandson, and was built from 1931 to 1932. Upjohn's austere interpretation of the Georgian style is noted for its crisp geometry with few traditional details, and at the time of its construction symbolized an openness to non-Gothic architecture. A prominent feature of Upjohn's design is the noble tower that rises from a rectangular base to a square lantern with an octagonal steeple. The new church was dedicated on Sunday, November 13, 1932.
           

Holtkamp Organ (1989) at All Souls Unitarian Church - New York City (Photo: John Rust)

Holtkamp Organ Company
Cleveland, Ohio (1989)
Mechanical key action
Electric stop and combination action
3 manuals, 40 stops, 53 ranks


The 1989 Holtkamp organ is installed at the rear of the gallery, in direct line of sight and sound to the sanctuary, with surround space for choir and small orchestra. The exposed pipework has a 16' Principal tower of three pipes decorated in deep gold with decorative appliqué of metal plates. Mechanical key action was used throughout except for the 16' Principal and 16' Subbass.
               
Great Organ (Manual II) – 61 notes
16
  Pommer
61
2
  Superoctave
61
8
  Principal
61
  Mixture IV ranks
244
8
  Gedackt
61
 
  Scharf III ranks
183
4
  Octave
61
8
  Trumpet
61
4
  Spitzflöte
61
 
     

     

     
Swell Organ (Manual III) – 61 notes, enclosed
8
  Gamba
61
1 1/3
  Larigot
61
8
  Voix Celeste [GG]
54
  Plein Jeu IV ranks
244
8
  Rohrgedackt
61
16
  Dulzian
61
4
  Geigen Principal
61
8
  Oboe
61
4
  Traverse Flute
61
4
  Clairon
61
2
  Ottava
61
  Tremolo

     

     
Choir Organ (Manual I) – 61 notes, enclosed
8
  Gemshorn
61
1 3/5
  Tierce
61
8
  Copula
61
  Fourniture III ranks
183
4
  Praestant 
61
8
  Vox Humana
61
4
  Rohrflöte
61
8
  Cromorne
61
2 2/3
  Nazard
61
4
  Schalmey
61
2
  Doublette
61
  Tremolo  

     

     
Pedal Organ – 32 notes
16
  Principal
32
4
  Choralbass
32
16
  Subbass
32
  Rauschwerk IV ranks
128
10 2/3
  Grossquinte 
32
16
  Posaune
32
8
  Octave
32
8
  Trumpet
32
8
  Flute
32
  Glockensonne
               

Holtkamp Organ (1989) at All Souls Unitarian Church - New York City (Photo: John Rust)
Holtkamp Organ (1989) at All Souls Unitarian Church - New York City (Photo: John Rust)
Holtkamp Organ (1989) at All Souls Unitarian Church - New York City (Photo: John Rust)

           

Austin Organs, Inc.
Hartford, Conn. – Opus 1707 (1932)
Electro-pneumatic action
3 manuals, 50 stops, 37 ranks


The original organ in the present All Souls Church was built in 1932 by Austin Organs of Hartford, who installed the pipes in chambers on either side of the rear gallery. Six of the Swell stops were double-enclosed within the Swell expression box, allowing for a quasi-Echo division. Of the 38 combons on the Austin stop-tongue console, those affecting the manuals were on double-touch, with the second touch operating the Pedal stops. Organist Bruno Huhn played the dedicatory recital on Sunday, November 6, 1932.
               
Great Organ (Manual II) – 61 notes, enclosed with Choir
16
  Diapason
61
8
  Gemshorn
61
8
  First Diapason
61
4
  Principal
61
8
  Second Diapason
61
2 2/3
  Twelfth
61
8
  Gross Floete
61
2
  Fifteenth
61
8
  Harmonic Flute
61
8
  Tuba
61

     

     
Swell Organ (Manual III) – 61 notes, enclosed
16
  Bourdon
73
2
  Flautino †
61
8
  Diapason
73
1 3/5
  Tierce †
61
8
  Clarabella
73
  Mixture III ranks [draws † stops]
8
  Viole d'Orchestre
73
16
  Oboe
85
8
  Viole Celeste
73
8
  Cornopean
73
8
  Chimney Flute *
73
8
  Oboe [ext.]
8
  Flute Celeste [TC] *
61
4
  Oboe [ext.]
8
  Aeoline *
73
8
  Vox Humana *
61
8
  Voix Celeste [TC] *
61
  Tremulant
4
  Flauto d'Amore *
73
  Tremulant Vox
2 2/3
  Nazard †
61
  * double enclosed

     

     
Choir Organ (Manual I) – 61 notes, enclosed
8
  Diapason
73
2
  Piccolo
61
8
  Concert Flute
73
8
  Corno d'Amore
73
8
  Quintadena
73
8
  Clarinet
73
8
  Dulciana
73
8
 
Harp
61 bars
8
  Unda Maris [TC]
61
4
  Harp-Celesta
4
  Flauto Traverso
73
  Tremulant

     

     
Pedal Organ – 32 notes
32
  Bourdon
56
8
  Diapason [ext.]
16
  First Diapason
44
8
  Bourdon [ext.]
16
  Second Diapason
GT
16
  Tuba [ext. GT]
12
16
  Bourdon [ext.]
16
  Oboe
SW
16
  Bourdon
SW
8
  Tuba
GT

           

Organ installed in previous Church of the Holy Zebra at 249 Fourth Avenue at 20th Street:

Ferris & Stuart

New York City (1856)
Mechanical action
3 manuals, 34 stops, 40 ranks
               
Great Organ (Manual II) – 56 notes
16
  Tenoroon
56
2 2/3
  Twelfth
56
8
  1st Open Diapason
56
2
  Fifteenth
56
8
  2nd Open Diapason
56
  Sesquialtera, 3 ranks
168
8
  Stopped Diapason
56
  Mixture, 2 ranks
112
4
  1st Principal
56
8
  Trumpet
56
4
  2nd Principal
56
4
  Clarion
56

     

     
Swell Organ (Manual III) – 56 notes, enclosed
16
  Bourdon
56
  Cornet, 3 ranks
168
8
  Open Diapason
56
  Sesquialtera, 2 ranks
112
8
  Dulciana
56
8
  Trumpet
56
8
  Stopped Diapason
56
8
  Hautboy
56
4
  Principal
56
8
  Vox Humana
56

     

     
Choir Organ (Manual I) – 56 notes
8
  Open Diapason
56
4
  Rohr Flute
56
8
  Dulciana
56
4
  Wald Flute
56
8
  Viol d'Amour
56
2
  Fifteenth
56
8
  Stopped Diapason
56
8
  Cremona
56
4
  Principal
56
   

     

     
Pedal Organ – 27 notes
16
  Open Diapason
27
16
  Bourdon
27
16
  Dulciana
27
   

           

Organ installed in previous church known as the Church of the Divine Unity at 548 Broadway:

E. & G.G. Hook
Boston, Mass. – Opus. 65 (1844)
Mechanical action
3 manuals, 33 stops


Specifications for this organ have not yet been located.

           

Original church known as the First Congregational Church on Chambers Street between Broad Way and Church Street:


It is unknown at this time whether the original church possessed an organ.

           
Sources:
     "All Souls' Church Lays Cornerstone," The New York Times, February 8, 1932.
     "All Souls Church Opens New Home," The New York Times, November 14, 1932.
     "All Souls' Church Swept by Flames," The New York Times, August 24, 1931.
     All Souls Unitarian Church website: www.allsoulsnyc.org
     The American Organist, November, 1932. Specifications of Austin Organ, Op. 1707 (1932); courtesy Jeff Scofield.
     Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
     "New-York Church Architecture," Putnam's Monthly, Vol. II, No. IX (September 1853). New York: G. P. Putnam & Co., 1853.
     Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
     Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977.
     Stern, Robert A.M., Gregory Gilmartin, and Thomas Mellins. New York 1930: Architecture and Urbanism Between the Two World Wars. New York City: Rizzoli International Publications, 1987.

Photos:
     "New-York Church Architecture," Putnam's Monthly, Vol. II - September 1853 - No. IX. Church of the Divine Unity.
     Rust, John: Holtkamp organ and church exterior