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All Souls Church
(Unitarian Universalist)
1157 Lexington Avenue at 80th Street
New York, N.Y. 10021 http://www.allsoulsnyc.org
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| Church of the Divine Unity |
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The Unitarian Universalist society known today as All Souls Church was founded in 1819 as the First Congregational Church in the City of New York. The first church, built from 1820-21 and located on Chambers Street between the Broad Way and Church Street, was dedicated on January 21, 1821. A new church was built in 1845 on Broadway, near Spring Street, and the
congregation voted to call itself "The
Church of the Divine Unity."
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Church of the Holy Zebra (c.1855) |
Following the northerly movement of residents, the society moved to a new church on southeast corner of Fourth Avenue (now Park Avenue South) and 20th Street. Built from 1853-55, the new edifice was designed by Jacob Wrey Mould. One prominent architectural critic pronounced it "the
most unfortunate ecclesiastical edifice ever to be erected not only in New
York, but anywhere else in the world for that matter." In fashioning the first major example of
Byzantine Revival architecture in the United States, the architect employed
two radically different kinds of brick, the reddest possible Philadelphia
brick and a light yellow brick (Caen stone) from Italy. He juxtaposed the
two in broad alternating stripes from top to bottom. Hence the church's
nicknames: the Beefsteak Church, and, soon thereafter, the Church of the
Holy Zebra. All Souls Church would influence Leopold Eidlitz, architect of the Church of the Holy Trinity (Episcopal) on Madison Avenue and Temple Emanu-El on East 43rd Street.
By the 1920s, the congregation sought to move uptown, and in the Spring of 1929 sold its Fourth Avenue property for $475,000 to an investment developer. Land was purchased on the southeast corner of Lexington Avenue and 80th Street and plans were drawn for a new church that would cost $1.25 million. In the interim, the congregation worshiped in the MacDowell Club at 166 East 73rd Street. With the onset of the Depression, the purchaser of the old property defaulted and the property reverted to the congregation. Luckily, the son of the late George F. Baker, a banker and philanthropist who had been a trustee of the church for more than half a century, arranged to cover the interest on the loan taken out for the new church. On August 23, 1931, the old landmark church was destroyed by fire.
The present church was designed by Hobart Upjohn, Richard Upjohn's grandson, and was built from 1931 to 1932. Upjohn's austere interpretation of the Georgian style is noted for its crisp geometry with few traditional details, and at the time of its construction symbolized an openness to non-Gothic architecture. A prominent feature of Upjohn's design is the noble tower that rises from a rectangular base to a square lantern with an octagonal steeple. The new church was dedicated on Sunday, November 13, 1932. |
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Holtkamp Organ Company
Cleveland, Ohio (1989)
Mechanical key action
Electric stop and combination action
3 manuals, 40 stops, 53 ranks
The 1989 Holtkamp organ is installed at the rear of the gallery, in direct line of sight and sound to the sanctuary, with surround space for choir and small orchestra. The exposed pipework has a 16' Principal tower of three pipes decorated in deep gold with decorative appliqué of metal plates. Mechanical key action was used throughout except for the 16' Principal and 16' Subbass. |
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Great Organ (Manual II) – 61 notes
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16 |
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Pommer |
61 |
2 |
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Superoctave |
61 |
8 |
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Principal |
61 |
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Mixture IV ranks |
244 |
8 |
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Gedackt |
61 |
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Scharf III ranks |
183 |
4 |
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Octave |
61 |
8 |
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Trumpet |
61 |
4 |
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Spitzflöte |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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8 |
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Gamba |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Voix Celeste [GG] |
54 |
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Plein Jeu IV ranks |
244 |
8 |
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Rohrgedackt |
61 |
16 |
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Dulzian |
61 |
4 |
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Geigen Principal |
61 |
8 |
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Oboe |
61 |
4 |
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Traverse Flute |
61 |
4 |
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Clairon |
61 |
2 |
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Ottava |
61 |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Gemshorn |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Copula |
61 |
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Fourniture III ranks |
183 |
4 |
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Praestant |
61 |
8 |
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Vox Humana |
61 |
4 |
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Rohrflöte |
61 |
8 |
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Cromorne |
61 |
2 2/3 |
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Nazard |
61 |
4 |
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Schalmey |
61 |
2 |
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Doublette |
61 |
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Tremolo |
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Pedal Organ – 32 notes
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16 |
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Principal |
32 |
4 |
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Choralbass |
32 |
16 |
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Subbass |
32 |
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Rauschwerk IV ranks |
128 |
10 2/3 |
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Grossquinte |
32 |
16 |
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Posaune |
32 |
8 |
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Octave |
32 |
8 |
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Trumpet |
32 |
8 |
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Flute |
32 |
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Glockensonne |
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Austin Organs, Inc.
Hartford, Conn. – Opus 1707 (1932)
Electro-pneumatic action
3 manuals, 50 stops, 37 ranks
The original organ in the present All Souls Church was built in 1932 by Austin Organs of Hartford, who installed the pipes in chambers on either side of the rear gallery. Six of the Swell stops were double-enclosed within the Swell expression box, allowing for a quasi-Echo division. Of the 38 combons on the Austin stop-tongue console, those affecting the manuals were on double-touch, with the second touch operating the Pedal stops. Organist Bruno Huhn played the dedicatory recital on Sunday, November 6, 1932. |
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Great Organ (Manual II) – 61 notes, enclosed
with Choir
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16 |
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Diapason |
61 |
8 |
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Gemshorn |
61 |
8 |
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First Diapason |
61 |
4 |
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Principal |
61 |
8 |
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Second Diapason |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Gross Floete |
61 |
2 |
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Fifteenth |
61 |
8 |
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Harmonic Flute |
61 |
8 |
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Tuba |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
2 |
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Flautino † |
61 |
8 |
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Diapason |
73 |
1 3/5 |
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Tierce † |
61 |
8 |
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Clarabella |
73 |
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Mixture III ranks [draws † stops] |
— |
8 |
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Viole d'Orchestre |
73 |
16 |
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Oboe |
85 |
8 |
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Viole Celeste |
73 |
8 |
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Cornopean |
73 |
8 |
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Chimney Flute * |
73 |
8 |
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Oboe [ext.] |
— |
8 |
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Flute Celeste [TC] * |
61 |
4 |
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Oboe [ext.] |
— |
8 |
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Aeoline * |
73 |
8 |
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Vox Humana * |
61 |
8 |
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Voix Celeste [TC] * |
61 |
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Tremulant |
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4 |
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Flauto d'Amore * |
73 |
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Tremulant Vox |
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2 2/3 |
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Nazard † |
61 |
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* double enclosed |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason |
73 |
2 |
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Piccolo |
61 |
8 |
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Concert Flute |
73 |
8 |
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Corno d'Amore |
73 |
8 |
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Quintadena |
73 |
8 |
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Clarinet |
73 |
8 |
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Dulciana |
73 |
8 |
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8 |
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Unda Maris [TC] |
61 |
4 |
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Harp-Celesta |
— |
4 |
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Flauto Traverso |
73 |
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Tremulant |
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Pedal Organ – 32 notes
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32 |
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Bourdon |
56 |
8 |
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Diapason [ext.] |
— |
16 |
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First Diapason |
44 |
8 |
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Bourdon [ext.] |
— |
16 |
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Second Diapason |
GT |
16 |
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Tuba [ext. GT] |
12 |
16 |
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Bourdon [ext.] |
— |
16 |
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Oboe |
SW |
16 |
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Bourdon |
SW |
8 |
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Tuba |
GT |
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Organ installed in previous Church of the Holy Zebra at 249 Fourth Avenue at 20th Street:
Ferris & Stuart
New York City (1856)
Mechanical action
3 manuals, 34 stops, 40 ranks |
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Great Organ (Manual II) – 56 notes
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16 |
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Tenoroon |
56 |
2 2/3 |
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Twelfth |
56 |
8 |
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1st Open Diapason |
56 |
2 |
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Fifteenth |
56 |
8 |
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2nd Open Diapason |
56 |
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Sesquialtera, 3 ranks |
168 |
8 |
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Stopped Diapason |
56 |
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Mixture, 2 ranks |
112 |
4 |
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1st Principal |
56 |
8 |
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Trumpet |
56 |
4 |
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2nd Principal |
56 |
4 |
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Clarion |
56 |
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Swell Organ (Manual III) – 56 notes, enclosed
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16 |
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Bourdon |
56 |
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Cornet, 3 ranks |
168 |
8 |
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Open Diapason |
56 |
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Sesquialtera, 2 ranks |
112 |
8 |
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Dulciana |
56 |
8 |
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Trumpet |
56 |
8 |
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Stopped Diapason |
56 |
8 |
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Hautboy |
56 |
4 |
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Principal |
56 |
8 |
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Vox Humana |
56 |
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Choir Organ (Manual I) – 56 notes
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8 |
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Open Diapason |
56 |
4 |
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Rohr Flute |
56 |
8 |
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Dulciana |
56 |
4 |
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Wald Flute |
56 |
8 |
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Viol d'Amour |
56 |
2 |
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Fifteenth |
56 |
8 |
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Stopped Diapason |
56 |
8 |
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Cremona |
56 |
4 |
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Principal |
56 |
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Pedal Organ – 27 notes
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16 |
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Open Diapason |
27 |
16 |
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Bourdon |
27 |
16 |
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Dulciana |
27 |
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Organ installed in previous church known as the Church of the Divine Unity at 548 Broadway:
E. & G.G. Hook
Boston, Mass. – Opus. 65 (1844)
Mechanical action
3 manuals, 33 stops
Specifications for this organ have not yet been located. |
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Original church known as the First Congregational Church on Chambers Street between Broad Way and Church Street:
It is unknown at this time whether the original church possessed an organ. |
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Sources:
"All Souls' Church Lays Cornerstone," The New York Times, February 8, 1932.
"All Souls Church Opens New Home," The New York Times, November 14, 1932.
"All Souls' Church Swept by Flames," The New York Times, August 24, 1931.
All Souls Unitarian Church website: www.allsoulsnyc.org
The American Organist, November, 1932. Specifications of Austin Organ, Op. 1707 (1932); courtesy Jeff Scofield.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
"New-York Church Architecture," Putnam's Monthly, Vol. II, No. IX (September 1853). New York: G. P. Putnam & Co., 1853.
Ochse, Orpha. Austin Organs. Richmond: The Organ Historical Society, 2001.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977.
Stern, Robert A.M., Gregory Gilmartin, and Thomas Mellins. New York 1930: Architecture and Urbanism Between the Two World Wars. New York City: Rizzoli International Publications, 1987.
Photos:
"New-York Church Architecture," Putnam's Monthly, Vol. II - September 1853 - No. IX. Church of the Divine Unity.
Rust, John: Holtkamp organ and church exterior |
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