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Church of the Ascension (Episcopal)
Fifth Avenue at 10th Street
New York, N.Y. 10011 http://www.ascensionnyc.org
The Protestant Episcopal Church of the Ascension was founded in 1827; its first church building on Canal Street was consecrated in 1829 but burned to the ground in 1839. The present edifice, the first church on Fifth Avenue, was designed by Richard Upjohn and was consecrated in 1841. The interior was remodeled in 1885-89 by McKim, Mead, and White, and includes many outstanding sculptures, mosaics and paintings. |
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Pascal Quoirin
Saint Didier, Provence, France (completion 2010)
Mechanical action with 3-manual console
Electric action with 4-manual console
94 stops, 110 ranks
A new organ for the Church of the Ascension is being built by Pascal Quoirin of St. Didier, a town near Carpentras in Provence, France. This organ is to be completed by the end of 2010, and will be the first French-built organ ever to be installed in New York City. The core of the instrument will be a three-manual classical organ (Grand-Orgue, Positif, Echo/Récit, and Pédale) controlled by a three-manual mechanical action console. A second console of four manuals with electric action will control the classical core as well as many other stops intended for symphonic repertory, including a large French Romantic Grand Récit Expressif. In particular, the organ has been designed to play the works of Olivier Messiaen, and includes every registration called for by Messiaen.
The instrument will be situated in the front of the church on two sides of the chancel. Four organ facades—two on each side—will include elaborate wood carvings of peacocks, inspired by the peacocks of the 1880 marble reredos. Two trompettes en chamade, one on each side of the chancel, will face each other in the manner of the historic Spanish organs.
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| Liturgical North Aisle |
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Lit. North Chancel |
ALTAR |
Lit. South Chancel |
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Liturgical South Aisle |
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Mechanical Console |
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Grand-Orgue (Manual I) – 61 notes
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16 |
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Montre |
61 |
2 |
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Doublette |
61 |
16 |
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Bourdon |
61 |
2 |
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Flûte |
61 |
8 |
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Montre |
61 |
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Grande Fourniture 2 rgs |
61 |
8 |
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Flûte harmonique |
61 |
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Fourniture 4 rgs |
244 |
8 |
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Bourdon |
61 |
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Cymbale 4 rgs |
244 |
8 |
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Gambe |
61 |
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Grand Cornet 7 rgs [TF] |
308 |
5 1/3 |
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Grosse quinte |
61 |
16 |
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Bombarde |
61 |
4 |
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Prestant |
61 |
8 |
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1ère Trompette |
61 |
4 |
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Flûte octaviante |
61 |
8 |
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Trompette harmonique * |
61 |
3 1/5 |
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Grosse tierce |
61 |
4 |
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Clairon |
61 |
2 2/3 |
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Quinte |
61 |
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Tremblant |
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2 2/3 |
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Nazard |
61 |
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* en chamade |
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Positif (Manual II) – 61 notes
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16 |
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Quintaton |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Montre |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Flûte |
61 |
1 |
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Flageolet |
61 |
8 |
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Bourdon |
61 |
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Fourniture 4 rgs |
244 |
8 |
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Salicional |
61 |
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Cymbale 3 rgs |
183 |
4 |
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Prestant |
61 |
16 |
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Basson |
61 |
4 |
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Flûte |
61 |
8 |
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Trompette |
61 |
2 2/3 |
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Nazard |
61 |
4 |
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Clairon |
61 |
2 |
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Doublette |
61 |
8 |
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Cromorne |
61 |
2 |
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Quarte de Nazard |
61 |
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Tremblant |
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Récit-Echo (Expressif) (Manual III) – 61 notes
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8 |
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Bourdon |
61 |
8 |
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Trompette |
61 |
4 |
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Flûte |
61 |
8 |
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Basson-Hautbois |
61 |
2 2/3 |
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Nazard |
61 |
8 |
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Voix humaine |
61 |
2 |
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Quarte de Nazard |
61 |
8 |
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Clarinette |
61 |
1 3/5 |
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Tierce |
61 |
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Tremblant
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Pédale – 32 notes
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32 |
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Bourdon |
32 |
4 |
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Flûte [ext. 8' Bourdon] |
12 |
16 |
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Flûte |
32 |
3 1/5 |
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Grosse Tierce [ext.] |
12 |
16 |
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Principal |
32 |
2 |
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15ème [ext. Prestant] |
12 |
16 |
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Bourdon [ext. 32'] |
12 |
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Fourniture 4 rgs |
128 |
10 2/3 |
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Quinte |
32 |
32 |
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Bombarde |
32 |
8 |
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Flûte [ext. 16'] |
12 |
16 |
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Bombarde [ext.] |
12 |
8 |
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Violoncelle [ext. Principal] |
12 |
16 |
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Basson |
32 |
8 |
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Bourdon |
32 |
8 |
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Trompette |
32 |
6 2/5 |
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Grande Tierce |
32 |
8 |
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Basson [ext. 16'] |
12 |
5 1/3 |
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Grand Nazard [ext. Quinte] |
12 |
4 |
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Clairon [ext. Trompette] |
12 |
4 |
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Prestant |
32 |
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Electric Console |
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Grand-Orgue (Manual I) – 61 notes
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16 |
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Montre |
— |
2 2/3 |
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Nazard |
— |
16 |
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Bourdon |
— |
2 |
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Doublette |
— |
8 |
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Montre |
— |
2 |
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Flûte |
— |
8 |
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Second |
61 |
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Grande Fourniture 2 rgs |
— |
8 |
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Flûte harmonique |
— |
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Fourniture 4 rgs |
— |
8 |
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Bourdon |
— |
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Cymbale 4 rgs |
— |
8 |
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Gambe |
— |
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Grand Cornet 7 rgs [TF] |
— |
5 1/3 |
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Grosse quinte |
— |
16 |
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Bombarde |
— |
4 |
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Prestant |
— |
8 |
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1ère Trompette |
— |
4 |
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Second |
61 |
8 |
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Trompette harmonique * |
— |
4 |
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Flûte octaviante |
— |
4 |
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Clairon |
— |
3 1/5 |
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Grosse tierce |
— |
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Tremblant |
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2 2/3 |
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Quinte |
— |
8 |
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Trompette harmonique * |
GRéc |
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Positif (Manual II) – 61 notes
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16 |
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Quintaton |
— |
1 1/3 |
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Larigot |
— |
8 |
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Montre |
— |
1 |
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Flageolet |
— |
8 |
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Flûte |
— |
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Fourniture 4 rgs |
— |
8 |
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Bourdon |
— |
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Cymbale 3 rgs |
— |
8 |
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Salicional |
— |
16 |
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Basson |
— |
4 |
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Prestant |
— |
8 |
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Trompette |
— |
4 |
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Flûte |
— |
4 |
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Clairon |
— |
2 2/3 |
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Nazard |
— |
8 |
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Cromorne |
— |
2 |
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Doublette |
— |
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Tremblant |
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2 |
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Quarte de Nazard |
— |
8 |
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Trompette harmonique * |
GRéc |
1 3/5 |
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Tierce |
— |
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Grand Récit Expressif (Manual III) – 61 notes (located on Liturgical South side of Chancel)
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16 |
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Bourdon |
61 |
2 |
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Octavin |
61 |
8 |
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Principal |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Flûte harmonique |
61 |
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Plein-jeu 5 rgs |
305 |
8 |
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Bourdon |
61 |
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Sur-cymbale 3 rgs |
183 |
8 |
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Gambe |
61 |
16 |
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Basson |
61 |
8 |
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Céleste |
61 |
8 |
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Trompette |
61 |
8 |
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Æoline |
61 |
4 |
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Clairon |
61 |
8 |
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Céleste |
61 |
8 |
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Basson-Hautbois |
61 |
4 |
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Prestant |
61 |
8 |
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Voix humaine |
61 |
4 |
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Flûte octaviante |
61 |
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Tremblant |
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2 2/3 |
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Nazard harmonique |
61 |
8 |
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Trompette harmonique * |
61 |
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Récit-Echo (Expressif) (Manual IV) – 61 notes
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8 |
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Bourdon |
— |
8 |
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Basson-Hautbois |
— |
4 |
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Flûte |
— |
8 |
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Voix humaine |
— |
2 2/3 |
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Nazard |
— |
8 |
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Clarinette |
— |
2 |
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Quarte de Nazard |
— |
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Tremblant |
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1 3/5 |
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Tierce |
— |
8
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Trompette harmonique *
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GRéc |
8 |
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Trompette |
— |
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Pédale – 32 notes
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32 |
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Bourdon |
— |
4 |
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Flûte |
— |
16 |
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Flûte |
— |
3 1/5 |
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Grosse Tierce |
— |
16 |
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Principal |
— |
2 |
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15ème |
— |
16 |
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Bourdon |
— |
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Fourniture 4 rgs |
— |
16 |
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Petit Bourdon |
GRéc |
32 |
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Bombarde |
— |
10 2/3 |
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Quinte |
— |
16 |
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Bombarde |
— |
8 |
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Flûte |
— |
16 |
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Basson |
— |
8 |
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Violoncelle |
— |
8 |
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Trompette |
— |
8 |
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Bourdon |
— |
8 |
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Basson |
— |
6 2/5 |
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Grande Tierce |
— |
4 |
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Clairon |
— |
5 1/3 |
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Grand Nazard |
— |
8 |
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Trompette harmonique * |
GRéc |
4 |
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Prestant |
— |
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* en chamade |
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Holtkamp Organ Company
Cleveland, Ohio (1967)
Electric key, stop and combination action
4 manuals, 67 stops, 81 ranks
Under the leadership of Vernon de Tar, organist and choirmaster from 1939-1981, the present organ was built in 1967 by the Holtkamp Organ Company of Cleveland, Ohio. This rare four-manual Holtkamp organ incorporates selected ranks from the Solo division of the previous Ernest M. Skinner Organ, Opus 860 (1931). |
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Great Organ (Manual II) – 61 notes
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16 |
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Quintadena |
61 |
2 |
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Hohlflöte |
61 |
8 |
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Principal |
61 |
1 1/3 |
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Quinte |
61 |
8 |
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Gemshorn |
61 |
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Mixture IV ranks |
244 |
8 |
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Gedackt |
61 |
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Scharf III ranks |
183 |
4 |
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Octave |
61 |
16 |
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Dulzian |
61 |
4 |
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Spitzflöte |
61 |
8 |
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Trumpet |
61 |
2 |
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Superoctave |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
1 |
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Octavin |
61 |
8 |
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Geigen Principal |
61 |
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Sesquialtera II ranks |
`122 |
8 |
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Gamba |
61 |
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Plein Jeu V ranks |
305 |
8 |
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Voix Celeste [GG] |
54 |
16 |
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Fagott |
61 |
8 |
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Rohrflöte |
61 |
8 |
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Trumpet |
61 |
8 |
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Dolce |
61 |
8 |
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Oboe |
61 |
4 |
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Gemshorn |
61 |
4 |
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Clairon |
61 |
4 |
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Bourdon |
61 |
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Tremolo |
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2 |
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Doublette |
61 |
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Positiv Organ (Manual I) – 61 notes
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8 |
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Spitzflöte |
61 |
2 |
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Blockflöte |
61 |
8 |
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Copula |
61 |
1 3/5 |
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Tierce |
61 |
4 |
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Praestant |
61 |
1 1/3 |
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Quinte |
61 |
4 |
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Rohrflöte |
61 |
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Fourniture III ranks |
183 |
2 2/3 |
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Nazard |
61 |
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Cymbal III ranks |
183 |
2 |
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Octave |
61 |
8 |
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Cromorne |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed [from Skinner Organ, Op. 860]
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8 |
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Flauto Dolce |
61 |
8 |
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French Horn |
61 |
8 |
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Flute Celeste |
61 |
8 |
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Clarinet |
61 |
4 |
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Principal |
61 |
8 |
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Orchestral Oboe |
61 |
16 |
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English Horn |
61 |
8 |
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Vox Humana |
61 |
8 |
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Trompette |
61 |
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Tremolo |
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Pedal Organ – 32 notes
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32 |
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Untersatz [ext.] |
32 |
2 |
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Nachthorn |
32 |
16 |
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Principal |
32 |
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Rauschquinte II ranks |
64 |
16 |
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Subbass |
32 |
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Mixture IV ranks |
128 |
16 |
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Quintadena |
GT |
32 |
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Basun |
32 |
16 |
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Bourdon |
SW |
16 |
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Posaune |
32 |
8 |
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Octave |
32 |
16 |
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Dulzian |
GT |
8 |
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Flauto |
32 |
8 |
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Trumpet |
32 |
4 |
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Choralbass |
32 |
4 |
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Schalmey |
32 |
4 |
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Flute |
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Skinner Organ Company
Boston, Mass. – Opus 860 (1931)
Electro-pneumatic action
4 manuals, 70 stops, 69 ranks, 4,251 pipes
In 1931, the Skinner Organ Company of Boston rebuilt the Hutchings Organ (Op. 388) which had been rebuilt by Steere in 1912. When the Skinner organ was replaced in 1967 by a new Holtkamp organ, the Echo division was sold to St. Paul's, Chestnut Hill, Penn., and several stops in the Solo division were retained and incorporated into the Holtkamp. |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
61 |
8 |
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Viol d'Amour |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
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Flue Harmonique |
61 |
8 |
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Third Diapason |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Doppelflote |
61 |
2 |
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Fifteenth |
61 |
8 |
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Gemshorn |
61 |
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Harmonics V ranks |
305 |
8 |
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Gedeckt |
61 |
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Chimes |
SO |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Contra Gamba |
61 |
2 |
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Flautino |
61 |
8 |
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Diapason |
61 |
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Mixture V ranks |
305 |
8 |
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Hohlflote |
61 |
16 |
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Posaune |
61 |
8 |
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Salicional |
61 |
8 |
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Cornopean |
61 |
8 |
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Voix Celeste |
61 |
8 |
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Oboe |
61 |
8 |
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Viole |
61 |
8 |
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Vox Humana |
61 |
8 |
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Quintadena |
61 |
4 |
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Clarion |
61 |
4 |
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Octave |
61 |
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Tremolo |
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4 |
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Flauto Traverso |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Dulciana |
61 |
2 |
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Piccolo |
61 |
8 |
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Diapason |
61 |
8 |
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Clarinet |
61 |
8 |
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Melodia |
61 |
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Tremolo |
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8 |
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Keraulophone |
61 |
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Chimes |
SO |
8 |
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Aeoline |
61 |
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Harp |
SO |
8 |
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Dolce Celeste |
61 |
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Celesta |
SO |
4 |
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Flute d'Amour |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Diapason |
73 |
16 |
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English Horn |
73 |
8 |
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Grossflöte |
73 |
8 |
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Tuba |
73 |
8 |
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Gamba |
73 |
8 |
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French Horn |
73 |
8 |
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Gamba Celeste |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Orchestral Flute |
73 |
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Tremolo |
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8 |
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Flauto Dolce |
73 |
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8 |
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Flute Celeste [TC] |
61 |
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4 |
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Chimney Flute |
73 |
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Celesta |
— |
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Echo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Cor de Nuit |
61 |
4 |
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Fern Flute |
61 |
8 |
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Echo Dolcet |
61 |
8 |
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Vox Humana |
61 |
4 |
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Echo Dolcet Celeste |
61 |
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Chimes |
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Pedal Organ – 32 notes
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32 |
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Bourdon [unit] |
56 |
8 |
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Principal [metal] |
— |
16 |
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Diapason (wood) [unit] |
44 |
8 |
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Violoncello |
— |
16 |
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Diapason (metal) [unit] |
56 |
8 |
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Gedeckt |
— |
16 |
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Bourdon |
— |
4 |
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Fifteenth [metal] |
— |
16 |
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Violone [unit] |
44 |
16 |
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Trombone [unit] |
44 |
16 |
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Dulciana |
CH |
16 |
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Waldhorn |
SW |
10 2/3 |
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Quint |
— |
8 |
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Tromba |
— |
8 |
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Octave [wood] |
— |
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Chimes |
SO |
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J. W. Steere & Son
Springfield, Mass. (1912)
Electro-pneumatic action
3 manuals, 46 stops, 48 ranks
In 1912, the Hutchings chancel organ was rebuilt by the J.W. Steere & Son company, using many pipes from the previous organ. Dr. William C. Carl, organist at nearby First Presbyterian Church, opened the new organ, and subsequent recitals were given by Scott Wheeler and Felix Lamonde.
Lynnwood Farnam (1885-1930), noted concert organist of the early 20th century, was in the habit of writing down specifications and comments of the organs he visited and played. An entry dated February 16, 1922 includes the following specification of the 1912 Steere organ at Church of the Ascension. Farnam commented: "Beautiful-toned instrument. Effective pedal. 32 unusually good. ORGANIST - Miss Jessie Craig Adam." |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
61 |
8 |
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Gross Flöte |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
|
Flue Harmonique |
61 |
8 |
|
Gamba |
61 |
2 |
|
Super Octave |
61 |
8 |
|
Gemshorn |
61 |
|
|
Mixture 5 ranks |
305 |
8 |
|
Gedeckt |
61 |
8 |
|
Trumpet |
61 |
8 |
|
Doppelflote |
61 |
|
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Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
|
Viol |
61 |
4 |
|
Flauto Traverso |
61 |
8 |
|
Diapason |
61 |
2 |
|
Flautino |
61 |
8 |
|
Viol |
61 |
|
|
Dolce Mixture 5 ranks |
305 |
8 |
|
Viol Celeste |
61 |
8 |
|
Cornopean |
61 |
8 |
|
Salicional |
61 |
8 |
|
Oboe |
61 |
8 |
|
Hohlfloete |
61 |
8 |
|
Vox Humana |
61 |
8 |
|
Quintadena |
61 |
|
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Tremolo |
|
4 |
|
Octave Viol |
61 |
|
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Choir Organ (Manual I) – 61 notes, enclosed
|
16 |
|
Dulciana |
61 |
8 |
|
Unda Maris |
61 |
8 |
|
Diapason |
61 |
4 |
|
Flute d'Amour |
61 |
8 |
|
Keraulophone |
61 |
2 |
|
Piccolo |
61 |
8 |
|
Melodia |
61 |
8 |
|
Clarinet |
61 |
8 |
|
Aeoline |
61 |
|
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Tremolo |
|
|
|
|
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Pedal Organ – 30 notes
|
32 |
|
Bourdon [unit] |
56 |
10 2/3 |
|
Quint |
— |
16 |
|
First Diapason [unit] (wood) |
44 |
8 |
|
Flute [1st Diap.] |
— |
16 |
|
Second Diapason [unit] (metal) |
44 |
8 |
|
Octave [2nd Diap.] |
— |
16 |
|
Violone [unit] |
44 |
8 |
|
Violoncello |
— |
16 |
|
Bourdon |
— |
8 |
|
Gedeckt |
— |
|
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Couplers
|
| |
|
Great to Pedal 8' |
|
Swell to Choir 16', 8', 4' |
| |
|
Swell to Pedal 8', 4' |
|
Swell 16', 4', Unison Off |
| |
|
Choir to Pedal |
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Choir 16', 4', Unison Off |
| |
|
Swell to Great 16', 8', 4' |
|
|
| |
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Choir to Great 16', 8', 4' |
|
Chimes to Great |
| |
|
Great to Swell 8' |
|
Chimes to Swell |
| |
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Combinations and Accessories
|
| 5 pistons and release to Swell |
|
|
|
Great to Pedal reversible (foot) |
| 4 pistons and release to Great |
|
|
|
Balanced Choir pedal |
| 2 pistons and release to Choir |
|
|
|
Balanced Swell pedal |
| Pedal release (O) |
|
|
|
Balanced Crescendo pedal |
| General release (OO) |
|
|
|
Sforzando reversible (foot) |
| |
|
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|
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Swell Tremolo reversible (foot) |
| |
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Choir Tremolo reversible (foot) |
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| |
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George S. Hutchings Co.
Boston, Mass. – Opus 388 (1895)
Electro-pneumatic action
3 manuals, 42 ranks
At the end of the 19th century, the Church of the Ascension, like so many other churches, reconfigured their building and moved the choir from the gallery to the chancel. To accompany the choir, a chancel organ was built in 1895 by the George S. Hutchings Co. of Boston. Specifications for this organ have not yet been located. |
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Hilborne L. Roosevelt New York City – Opus 129 (1884)
Mechanical action
2 manuals, 22 stops, 24 ranks
A new gallery organ was built by Hilborne L. Roosevelt in 1884, replacing the earlier Henry Erben organ from 1842. |
| |
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|
Great Organ (Manual I) – 58 notes
|
8 |
|
Open Diapason |
58 |
4 |
|
Rohr Flöte |
58 |
8 |
|
Viola di Gamba |
58 |
2 2/3 |
|
Octave Quint |
58 |
8 |
|
Dulciana |
58 |
2 |
|
Super Octave |
58 |
8 |
|
Melodia |
58 |
8 |
|
Clarinet |
58 |
4 |
|
Octave |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Swell Organ (Manual II) – 58 notes, enclosed
|
16 |
|
Bourdon |
58 |
4 |
|
Hohl Flöte |
58 |
8 |
|
Open Diapason |
58 |
|
|
Cornet, 3 ranks |
174 |
8 |
|
Salicional |
58 |
8 |
|
Cornopean |
58 |
8 |
|
Stopped Diapason |
58 |
8 |
|
Oboe |
58 |
8 |
|
Quintadena |
58 |
|
|
Tremulant |
|
4 |
|
Gemshorn |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Pedal Organ – 30 notes
|
16 |
|
Open Diapason |
30 |
8 |
|
Violoncello |
30 |
16 |
|
Bourdon |
30 |
|
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| |
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|
Bellows Signal |
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| |
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|
Swell to Pedal |
|
|
|
Swell to Great |
|
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|
Great to Pedal |
|
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|
Swell to Great Octaves |
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| |
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3 to Great |
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3 to Swell |
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| |
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Earlier organ in present church:
Henry Erben
New York City (1842)
Mechanical action
2 manuals, 20 stops
This organ was installed in the gallery. Specifications for this organ have not yet been located. |
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Organ in church on Canal Street:
Henry Erben
New York City (1830)
Mechanical action
This organ, installed in the gallery, burned with the church in 1839. Specifications for this organ have not yet been located. |
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Sources:
Aeolian-Skinner Archives: http://aeolian-skinner.110mb.com/
Holtkamp Organ Company advertisement, The American Organist, March 1966. Specifications of Holtkamp Organ (1967).
Church of the Ascension website: http://www.ascensionnyc.org
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Farnam, Lynnwood. "Organ Notebook," p. 1475 (specification of Steere organ). John de Lancie Library, The Curtis Institute of Music, Philadelphia. With thanks to Sally Branca, archivist; courtesy Jonathan Bowen.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Keene, Dennis. Specifications of the Pascal Quoirin organ (2010).
Kinzey, Allen, and Sand Lawn, comp. E.M. Skinner/Aeolian-Skinner Opus List (New Revised Edition). Richmond: The Organ Historical Society, 1997.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977.
"Pipework," The American Organist (Sept. 2008, Vo. 43, No. 2). Description of Pascal Quoirin organ (2010).
Roosevelt Opus List, compiled by Sand Lawn; courtesy David Scribner.
American Organ Archives, Princeton, N.J. Specifications of Hilborne L. Roosevelt organ, Op. 129 (1884); courtesy Jonathan Bowen.
Photos:
Quoirin, Pascal: drawings of Pascal Quoirin Organ; courtesy Dennis Keene.
Stein, Ken: Holtkamp console
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