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Columbia University http://www.columbia.edu
Broadway at 116th Street
New York, N.Y.
10027 St. Paul's Chapel www.columbia.edu/cu/earl/chapel.html
Built on the Columbia University campus from 1904-07, St. Paul's Chapel was donated by Olivia Egleston Phelps Stokes and Caroline Phelps Stokes in memory of their parents, with the proviso that their nephew, Isaac Newton Phelps Stokes, be named as architect. The Northern Italian Renaissance Revival building is faced with burned brick, limestone, and marble trim, while the tiled roof is crowned with a self-supporting dome. The two wrought-iron gates came from the North Reformed Dutch Church, located until 1875 on William Street in lower Manhattan. Upon entering the chapel, the style changes abruptly to Byzantine. Guastavino tiles are used extensively for the interior surfaces, including the vaulting and dome, and portico ceiling. Stained glass windows were fabricated by D. Maitland Armstrong, John La Farge, Henry Wynd Young, and J. Gordon Guthrie. In 1966, St. Paul's Chapel was designated by the New York City Landmarks Preservation Commission.
By 2004, the century-old chapel was showing its age and was in need of restorative repairs. The roof leaks and has damaged the walls, and protective netting was put under the dome and chancel ceiling. Although it is a popular wedding venue, the chapel is still not air-conditioned. Hopefully, the university will restore and update this historic and beautiful building. |
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Robert M. Turner Console |
Aeolian-Skinner Organ Company
Boston, Mass. – Opus 985 (1938); Op. 985-B (1962)
Console: Robert M. Turner, Hacienda Heights, CA (1997)
Electro-pneumatic action
4 manuals, 86 stops, 94 ranks, 5,252 pipes
In 1938, the Aeolian-Skinner Organ Company built an entirely new organ in St. Paul's Chapel, although several ranks were retained from the 1905 Ernest Skinner instrument. This organ is notable in that it contained the first Brustwerk division in the USA. In 1962, Aeolian-Skinner returned again to make further revisions, additions and changes, as Op. 985-A & B. The Dome Division was installed at this time, consisting of a high-pressure reed, an enclosed Voix Humaine, and speakers for the 12-note electronic extensions of the two 32' Pedal stops. The Dome stops were controlled by a small box with rocker tablets that was placed above left stop jamb of the console. In 1997, the organ was releathered and rebuilt with slight modifications, and a new movable console was built by Robert M. Turner. The organ at St. Paul's Chapel enjoys a very reverberant acoustic.
The monumental organ in St. Paul's Chapel is one of the first—if not the first—examples of an "American Classic" organ as envisioned by G. Donald Harrison of the Aeolian-Skinner Company. For many years, St. Paul's organ was championed by M. Searle Wright (1918-2004), who served with distinction as director of chapel music at St. Paul's Chapel from 1952 to 1971, and was president of the American Guild of Organists from 1969 to
1971. Under Wright's tenure, the organ in St. Paul's Chapel was featured in many concerts, recitals and recordings. Regrettably, access to this incredible and notable organ has been severely restricted in recent years. Hopefully, the chapel staff and university will recognize the importance of this organ and allow it to be used more frequently. Of the many organs in New York City, the Aeolian-Skinner at St. Paul's Chapel is arguably one of the most historically important. |
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Great Organ (Manual II) – 61 notes |
16 |
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Quintade |
61 |
2 2/3 |
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Quint |
61 |
8 |
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Principal |
61 |
2 |
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Super Octave |
61 |
8 |
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Bourdon |
61 |
2 2/3 |
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Cornet III ranks |
183 |
8 |
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Spitzflöte |
61 |
2 |
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Fourniture IV ranks |
244 |
4 |
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Principal |
61 |
2/3 |
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Cymbel II-IV ranks |
196 |
4 |
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Rohrflöte |
61 |
16 |
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Fagot |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed |
16 |
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Lieblich Gedackt |
73 |
2 2/3 |
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Nazard * [ext. Fugara] |
— |
8 |
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Diapason |
73 |
2 |
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Fifteenth |
61 |
8 |
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Stopped Diapason |
73 |
1 1/3 |
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Mixture IV ranks |
244 |
8 |
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Viole de Gambe |
73 |
16 |
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Bombarde |
73 |
8 |
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Viole Céleste * |
73 |
8 |
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Trompette |
73 |
8 |
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Aeoline |
73 |
8 |
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Hautbois |
73 |
4 |
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Octave |
73 |
8 |
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Voix Humaine * |
DO |
4 |
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Flauto Traverso * |
73 |
4 |
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Clairon |
73 |
4 |
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Fugara |
73 |
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Tremulant |
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Choir Organ (Manual I) – 61 notes, enclosed |
16 |
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Contre Viole |
73 |
4 |
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Flûte Triangulaire |
73 |
8 |
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Viole |
73 |
2 |
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Zauberflöte |
61 |
8 |
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Orchestral Flute |
73 |
2 2/3 |
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Carillon III ranks |
183 |
8 |
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Flauto Dolce * |
73 |
8 |
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Clarinet |
73 |
8 |
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Flute Celeste * [TC] |
61 |
4 |
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Musette * |
73 |
4 |
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Prestant * |
73 |
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Tremulant |
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Positiv Organ (Manual I) – 61 notes |
8 |
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Nason Flute |
61 |
2 2/3 |
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Sesquialtera II ranks |
122 |
4 |
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Nachthorn |
61 |
1/4 |
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Zimbel III ranks |
183 |
2 |
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Principal |
61 |
8 |
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Krummhorn |
61 |
1 1/3 |
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Larigot |
61 |
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Tremulant |
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1 |
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Sifflöte |
61 |
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Zimbelstern |
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Brustwerk Organ (Manual IV) – 61 notes
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8 |
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Spitzgeigen * |
61 |
2 2/3 |
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Nasat |
61 |
8 |
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Gedackt |
61 |
2 |
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Blockflöte |
61 |
4 |
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Montre * |
61 |
1 3/5 |
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Terz |
61 |
4 |
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Spitzflöte |
61 |
1/2 |
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Scharf III ranks |
183 |
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Dome Organ * (Manual IV) – 61 notes
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16 |
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Crown Trumpet * [TC] |
— |
4 |
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Crown Trumpet * [ext.] |
12 |
8 |
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Crown Trumpet * |
61 |
8 |
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Vox Humana * [enclosed] |
61 |
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Pedal Organ – 32 notes |
32 |
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Bourdon [ext.] |
digital |
4 |
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Choralbass |
32 |
16 |
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Principal |
32 |
4 |
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Koppelflöte |
32 |
16 |
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Montre * [ext. BW] |
24 |
2 |
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Blockflöte |
32 |
16 |
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Bourdon |
32 |
6 2/5 |
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Cornet III ranks |
96 |
16 |
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Quintade * |
GT |
2 2/3 |
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Cymbel II ranks |
64 |
16 |
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Viole |
CH |
32 |
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Bombarde * [ext.] |
digital |
16 |
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Echo Lieblich |
SW |
16 |
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Posaune |
32 |
8 |
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Principal |
32 |
16 |
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Bombarde |
SW |
8 |
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Montre * |
BW |
8 |
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Trompette |
32 |
8 |
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Gedackt |
32 |
8 |
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Crown Trumpet * |
DO |
8 |
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Viole |
CH |
4 |
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Clairon |
32 |
8 |
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Stillgedackt |
SW |
4 |
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Rohrschalmei |
32 |
5 1/3 |
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Quint |
32 |
2 |
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Zink |
32 |
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* ranks added or changed as Op. 985-B (1962) |
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Ernest M. Skinner Company
Boston, Mass. – Opus 125 (1905)
Electro-pneumatic action
4 manuals, 68 stops, 50 ranks, 3,011 pipes
The original organ in St. Paul's Chapel was built in 1905 by the Ernest M. Skinner Company of Boston. Pipes were installed behind matching cases on either side of the chancel. The four-manual drawknob console was located amid the choir stalls on the right side of the chancel. This organ was replaced in 1938 by a new organ built by the Aeolian-Skinner Organ Company. |
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Great Organ (Manual II) – 61 notes |
16 |
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Diapason |
61 |
4 |
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Octave |
61 |
8 |
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1st Diapason |
61 |
4 |
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Flute |
61 |
8 |
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2nd Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Gross Floete |
SW |
16 |
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Trumpet |
SW |
8 |
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Gamba |
61 |
8 |
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Trumpet |
SW |
8 |
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Erzahler |
61 |
4 |
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Clarion |
SW |
8 |
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Gedackt |
SW |
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Swell Organ (Manual III) – 61 notes, enclosed |
16 |
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Bourdon |
61 |
4 |
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Flute |
61 |
8 |
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1st Diapason |
61 |
2 |
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Flautino |
61 |
8 |
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2nd Diapason |
61 |
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Cornet III ranks |
183 |
8 |
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Gross Floete |
61 |
16 |
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Trumpet |
61 |
8 |
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Salicional |
61 |
8 |
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Cornopean |
61 |
8 |
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Voix Celeste |
61 |
8 |
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Oboe |
61 |
8 |
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Spitz Floete |
61 |
8 |
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Vox Humana |
61 |
8 |
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Gedackt |
61 |
4 |
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Clarion |
61 |
8 |
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Aeoline |
61 |
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Tremolo |
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4 |
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Octave |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed |
16 |
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Dulciana |
61 |
4 |
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Flauto Traverso |
61 |
8 |
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Diapason |
61 |
2 |
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Flautino |
61 |
8 |
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Concert Flute |
61 |
16 |
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Fagotto |
61 |
8 |
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Quintadena |
61 |
8 |
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Clarinet |
61 |
8 |
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Dulciana |
61 |
8 |
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Orchestral Oboe |
61 |
8 |
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Unda Maris |
61 |
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Tremolo |
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8 |
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Dulcet II ranks |
110 |
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Solo Organ (Manual IV) – 61 notes, enclosed |
8 |
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Stentorphone |
61 |
4 |
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Flute |
61 |
8 |
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Philomela |
61 |
16 |
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Fagotto |
CH |
8 |
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Concert Flute |
CH |
8 |
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Tuba |
61 |
8 |
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Dulciana |
CH |
8 |
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Oboe |
CH |
8 |
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Unda Maris |
CH |
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Tremolo |
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8 |
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Dulcet II ranks |
CH |
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Pedal Organ – 32 notes |
64 |
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Gravissima |
— |
10 2/3 |
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Quinte |
— |
32 |
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Diapason |
32 |
8 |
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Flute [ext.] |
12 |
16 |
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Diapason [ext.] |
12 |
8 |
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Gedackt [ext.] |
12 |
16 |
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Diapason |
GT |
8 |
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Cello |
SW |
16 |
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Bourdon |
32 |
4 |
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Flute [ext.] |
12 |
16 |
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Violone |
32 |
16 |
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Trombone |
32 |
16 |
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Gedeckt |
SW |
8 |
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Tromba [ext.] |
12 |
16 |
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Dulciana |
CH |
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Sources:
Aeolian-Skinner Archives: http://aeolian-skinner.110mb.com/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Kinzey, Allen and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List. New Rev. Ed. Richmond: The Organ Historical Society, 1997.
St. Paul's Chapel website: www.columbia.edu/cu/earl/chapel.html
Photos:
Barroso, Eileen: b&w photo of Robert. M. Turner console (1997) in concert position; courtesy Mary Monroe.
Columbia University: Console of Aeolian-Skinner organ, Op. 985-A (1962); courtesy Mary Monroe.
eBay.com: 1917 postcard of chapel interior.
Lawson, Steven E.: exterior, interior, organ cases and Turner console.
Turner, Robert M.: Robert M. Turner Organs console (1997). |
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