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Church of the Holy Trinity
(Evangelical Lutheran Church in America)
3 West 65th Street at Central Park West
New York, N.Y. 10003
http://www.holytrinitynyc.org
The Evangelical Lutheran Church of the Holy Trinity was founded in 1868 by a group which split from St. James Lutheran Church. At the time, the majority of Lutherans in New York City were German, but Holy Trinity was one of a very few English-speaking Lutheran congregations. Their first church was at 47 West 21st Street, in the edifice originally built for St. Paul's Reformed Dutch Church. The present Gothic Revival church was built between 1902-04, as designed by Schickel & Ditmars.
Holy Trinity is widely known for its Bach Vespers series, begun in 1968 by then-organist John Weaver, the first instance in America where the cantatas of Bach could be heard on their appointed day in the context of the liturgical calendar. Cantatas, as well as other appropriate music, are performed by the professional Bach Choir and Bach Players from late Fall through Easter.
Holy Trinity Church is within the "Upper West Side/Central Park West Historic District", as designated in 1990 by the New York City Landmarks Preservation Commission. |
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| 47 West 21st Street |
Early interior photo of current building |
Early photo of current building
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Robert M. Turner
Hacienda Heights, Calif. (1976)
Electro-pneumatic action
3 manuals, 71 stops, 67 ranks |
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The present organ was built by Robert M. Turner in 1976, and resuses the case and many pipes from Ernest M. Skinner's organs of 1903 (Opus 113), 1929 (Opus 785), and the 1962 rebuild by Aeolian-Skinner (Opus 785-B). The 1976 rebuilding provided all new playing action, new principal choruses and reeds, an independent pedal division, and a new movable console. The organ was also revoiced to play on a lower wind pressure. |
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Great Organ (Manual I) – 61 notes
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16 |
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Bourdon |
61 |
2 |
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Spitzflöte |
61 |
8 |
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Principal |
61 |
1 1/3 |
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Cornet III ranks [TC] |
147 |
8 |
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Flûte Harmonique |
61 |
1 1/3 |
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Mixture IV-V ranks |
293 |
8 |
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Bourdon |
61 |
16 |
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Posaune |
61 |
4 |
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Spitzflöte |
61 |
8 |
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Trompette |
61 |
4 |
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Octave |
61 |
4 |
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Clairon |
61 |
4 |
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Koppelflöte |
61 |
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Tremulant |
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2 |
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Super Octave |
61 |
8 |
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Trompette en chamade |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Gedeckt Bass |
61 |
2 |
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Flûte Douce [ext.] |
12 |
8 |
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Gedeckt |
61 |
1 1/3 |
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Mixture III-IV ranks |
232 |
8 |
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Flûte Douce |
61 |
1/3 |
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Cymbel III ranks |
183 |
8 |
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Flûte Céleste |
61 |
16 |
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Basson |
61 |
8 |
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Viola |
61 |
8 |
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Trompette |
61 |
8 |
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Viola Céleste |
61 |
8 |
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Basson-Hautbois [ext.] |
12 |
4 |
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Principal |
61 |
8 |
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Voix Humaine |
61 |
4 |
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Rohrflöte |
61 |
4 |
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Clairon |
61 |
4 |
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Flûte Douce [ext.] |
12 |
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Tremulant |
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4 |
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Flûte Céleste [ext.] |
12 |
8 |
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Trompette en chamade |
GT |
2 |
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Octave |
61 |
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Positive Organ (Manual II) – 61 notes, enclosed
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8 |
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Principal |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Holzgedeckt |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Dulciana |
61 |
1 |
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Sifflöte |
61 |
8 |
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Unda Maris [TC] |
49 |
1 |
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Scharf V ranks |
305 |
4 |
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Principal |
61 |
8 |
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Trompette |
61 |
4 |
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Spillflöte |
61 |
8 |
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Cromorne |
61 |
2 2/3 |
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Nazard |
61 |
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Tremulant |
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2 |
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Octave |
61 |
8 |
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Trompette en chamade |
GT |
2 |
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Blockflöte |
61 |
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Pedal Organ – 32 notes
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32 |
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Untersatz [ext.] |
12 |
32 |
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Basson * |
SW |
16 |
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Principal |
32 |
16 |
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Bombarde |
32 |
16 |
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Subbase |
32 |
16 |
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Posaune |
32 |
16 |
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Gedeckt Bass |
SW |
16 |
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Basson |
SW |
8 |
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Principal |
32 |
8 |
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Trompette [ext.] |
12 |
8 |
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Pommer |
32 |
8 |
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Basson/Hautbois |
SW |
8 |
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Gedeckt |
SW |
4 |
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Clairon [ext.] |
12 |
4 |
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Octave |
32 |
4 |
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Hautbois |
SW |
4 |
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Nachthorn |
32 |
8 |
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Trompette en chamade |
GT |
2 |
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Nachthorn [ext.] |
12 |
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2 |
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Mixture V ranks |
155 |
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* 1-12 Basse de Cornet |
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Portativ Organ
Robert M. Turner
Hacienda Heights, Calif. (1974)
Direct-electric action
1 manual, 3 stops, 3 ranks
Manual – 61 notes
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Gedeckt |
61 |
4 |
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Rohrflöte |
61 |
2 |
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Prinzipal |
61 |
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Aeolian-Skinner Organ Company
Boston, Mass. – Opus 785-B (1962)
Electro-pneumatic key, stop and chest action
3 manuals, 46 stops, 43 ranks, 2,836 pipes
The Aeolian-Skinner Company returned in 1962 (Op. 785-B) to rebuild and enlarge the organ, and to provide a new console. |
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Great Organ (Manual II) – 61 notes
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8 |
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Principal |
61 |
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Fourniture IV ranks |
244 |
8 |
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Bourdon |
61 |
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Chimes |
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4 |
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Octave |
61 |
8 |
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Trompette Harmonique |
CH |
4 |
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Zauberflöte |
61 |
4 |
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Clarion Harmonique |
CH |
2 |
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Fifteenth |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Gedeckt |
73 |
2 |
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Octavin |
61 |
8 |
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Rohrflöte |
73 |
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Mixture III-V ranks |
269 |
8 |
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Viola |
73 |
16 |
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Fagot |
73 |
8 |
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Viola Céleste |
73 |
8 |
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Trompette |
73 |
8 |
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Flute Celeste II ranks |
134 |
4 |
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Clarion |
73 |
4 |
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Prestant |
73 |
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Tremulant |
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4 |
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Flute Triangulaire |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Cor de Nuit |
73 |
1 3/5 |
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Tierce |
61 |
8 |
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Dulciana |
73 |
1 1/3 |
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Larigot |
61 |
8 |
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Unda Maris [TC] |
61 |
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Acuta IV ranks |
244 |
4 |
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Koppelflöte |
61 |
8 |
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Krummhorn |
73 |
2 2/3 |
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Nazard |
61 |
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Tremulant |
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2 |
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Blockflöte |
61 |
8 |
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Trompette Harmonique |
73 |
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Pedal Organ – 32 notes
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32 |
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Bourdon |
32 |
2 |
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Flöte |
12 |
16 |
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Kontrabass |
32 |
2 |
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Blockflöte |
CH |
16 |
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Bourdon |
12 |
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Mixture III ranks |
96 |
16 |
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Gedeckt |
SW |
16 |
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Bombarde |
12 |
8 |
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Principal |
12 |
16 |
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Fagot |
SW |
8 |
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Bourdon |
12 |
8 |
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Krummhorn |
CH |
8 |
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Gedeckt |
SW |
4 |
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Krummhorn |
CH |
4 |
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Choralbass |
32 |
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Chimes |
GT |
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Skinner Organ Company
Boston, Mass. – Opus 785 (1929)
Electro-pneumatic key, stop and chest action
3 manuals, 32 stops, 30 ranks, 2,005 pipes
Showing tonal changes by
Aeolian-Skinner Organ Company
Boston, Mass. – Opus 785-A (1951)
In 1929, the Skinner Organ Company installed a new organ, Op. 785, with electro-pneumatic action. It seems likely that some of the pipes from the 1903 organ were incorporated into the new instrument. The Aeolian-Skinner Organ Company, successor to the Skinner Organ Company, returned in 1951 to make tonal replacements (Op. 785-A). |
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Great Organ (Manual II) – 61 notes
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16 |
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Bourdon [ext. Ped.] |
17 |
8 |
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Tromba * |
61 |
8 |
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1st Diapason + |
61 |
8 |
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French Horn * |
61 |
8 |
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2nd Diapason |
61 |
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8 |
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Clarabella |
61 |
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4 |
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Octave |
61 |
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+ rep. by 8' Bourdon, Op. 785-A |
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Grave Mixture II ranks |
122 |
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* enclosed with Choir |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
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Mixture III ranks |
183 |
8 |
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Diapason ++ |
73 |
8 |
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Cornopean +++ |
73 |
8 |
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Rohrflöte |
73 |
8 |
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Oboe d'Amore |
73 |
8 |
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Salicional |
73 |
8 |
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Vox Humana |
73 |
8 |
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Voix Celeste |
73 |
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Tremolo |
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8 |
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Flute Celeste II ranks |
134 |
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8 |
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Aeoline |
73 |
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++ rep. by 8' Viola, Op. 785-A |
4 |
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Flute Triangulaire |
73 |
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+++ rep. by 8' Trompette, Op. 785-A |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Flute |
73 |
8 |
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Clarinet |
73 |
8 |
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Dulciana |
73 |
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Tremolo |
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8 |
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Unda Maris [TC] |
61 |
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Harp |
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4 |
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Flute |
73 |
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Celesta |
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Pedal Organ – 32 notes
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16 |
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Open Diapason |
32 |
8 |
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Gedeckt [ext.] |
12 |
16 |
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Bourdon |
32 |
8 |
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Still Gedeckt |
SW |
16 |
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Echo Lieblich |
SW |
16 |
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Trombone [ext. GT] |
12 |
8 |
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Octave [ext.] |
12 |
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Chimes |
GT |
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E.M. Skinner Organ Case |
Skinner & Cole Organ Company
Ernest M. Skinner & Co.
Boston, Mass. – Opus 113 (1903)
Electro-pneumatic action
3 manuals, 38 stops, 29 ranks
The contract for the original organ in the present building was awarded to the Skinner & Cole Organ Co., reflecting a short-lived partnership between Ernest M. Skinner and James Cole which lasted only a few months during 1903. Skinner bought the contract when the partnership was dissolved (in the latter part of 1903), and this organ was the first opus number listed in the Skinner files.
Skinner had planned to use tubular-pneumatic action for this organ, but instead employed electro-pneumatic action. The combination action was "blind" in that it did not visibly move stops. Both the Swell and Choir divisions were enclosed in one swell box.
The organ was dedicated by Mr. Gaston Dethier, organist, assisted by Mrs. W. W. Niles, soprano, and Mr. Harry McClaskey, tenor, on Thursday evening, March 2, 1905. |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
61 |
8 |
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Erzaehler |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Gross Floete |
61 |
8 |
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Cornopean |
SW |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
61 |
4 |
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Flauto Traverso |
61 |
8 |
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Diapason |
61 |
4 |
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Violina |
61 |
8 |
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Concert Flute |
61 |
2 |
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Piccolo Harmonique |
61 |
8 |
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Salicional |
61 |
16 |
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Fagotto |
61 |
8 |
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Voix Celestes |
61 |
8 |
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Cornopean |
73 |
8 |
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Aeoline |
61 |
8 |
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Oboe |
61 |
8 |
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Gedackt |
61 |
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Tremolo |
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Choir Organ (Manual I) – 61 notes, enclosed
with Swell
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8 |
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Violin Diapason |
61 |
4 |
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Violina |
SW |
8 |
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Melodia |
61 |
2 |
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Flautino |
61 |
8 |
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Dulciana |
61 |
8 |
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Clarinet |
61 |
8 |
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Dulcet |
61 |
8 |
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Oboe |
SW |
8 |
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Aeoline |
SW |
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Tremolo |
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4 |
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Wald Floete [Flute on contract] |
61 |
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Pedal Organ – 30 notes
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16 |
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Diapason |
30 |
8 |
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Bass Flute [ext.] |
12 |
16 |
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Bourdon |
30 |
8 |
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Gedackt [ext.] |
12 |
16 |
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Gedackt |
SW |
8 |
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'Cello * |
SW |
10 2/3 |
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Quinte |
— |
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* Salicional + Voix Celestes |
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Couplers
(operated by tilting tablets)
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Great to Pedal 8'
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Great to Swell 8' |
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Swell to Pedal 8' |
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Swell to Choir 8' |
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Choir to Pedal 8' |
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Great to Great 16', 4' |
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Swell to Great 8' |
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Swell to Swell 16', 4' |
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Choir to Great 16', 8' |
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Choir to Choir 16' |
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Combinations
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Pistons No. 1-2-3-4-5-0 |
operating on Great and Pedal |
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Pistons No. 1-2-3-4-5-6-0 |
operating on Swell and Pedal |
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Pistons No. 1-2-3-4-0 |
operating on Choir and Pedal |
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General Release |
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Pedal Release |
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Pedal Movements
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Balanced Swell and Choir Pedal |
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Great to Pedal Reversible |
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Balanced Crescendo Pedal |
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Organ in previous church located at 47 West 21st Street:
Ferris & Stuart
New York City (1862)
Mechanical action
1 manual
This organ was built for St. Paul's Dutch Reformed Church and may have been used when Holy Trinity Lutheran Church took over the building. Specifications for this organ have not yet been located. |
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Sources:
Aeolian-Skinner Archives web site: http://aeolian-skinner.110mb.com/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Haberstroh, Richard. The German Churches of Metropolitan New York: A Research Guide. New York: The New York Genealogical & Biographical Society, 2000.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Holy Trinity Lutheran Church website: http://www.holytrinitynyc.org
Kinzey, Allen. Shop notes for Ernest M. Skinner & Co. organ, Op. 113 (1903).
Kinzey, Allen, and Sand Lawn. E.M. Skinner/Aeolian-Skinner Opus List (New Revised Edition). Richmond: The Organ Historical Society, 1997.
"Organ Recital by Mr. Gaston Dethier," dedication program (Mar. 2, 1905). Courtesy Larry Trupiano.
"Stop, Open and Reed – a Periodical Presentation of Pipe Organ Progress". Boston: Skinner Organ Company, 1922-1927.
Trupiano, Larry. Electronic correspondence (July 7, 2010) regarding action and combinations of Ernest M. Skinner & Co. organ, Op. 113 (1903).
Photos:
Holy Trinity Lutheran Church Archives
John Rust |
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