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Mother A.M.E. Zion Church
146 West 137th Street
New York, N.Y. 10030
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Bleecker & West 10th Streets |
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Mother African Methodist Episcopal Zion is the oldest black church in the U.S., founded in 1796 by celebrated African-American residents of New York City. From 1800-1864 the congregation worshiped on Church Street.
In 1864, the congregation moved to a frame building on the corner of Bleecker and West 10th Streets, where church was known as a "freedom church," a safe stop for slaves traveling along the Underground Railway.
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Wurts Bros. (1925) |
The present Neo-Gothic building (1923-25) was designed by George W. Foster, Jr., one of the first black architects to be registered in the U.S. Continuing a legacy of liberation theology, the congregation is committed to caring for the less fortunate members of the community. Today their members are politically active, working to ensure awareness of civil rights for all. |
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Wicks Organ Company
Highland, Ill. – Opus 5565 (1976)
Direct Electric ® action
4 manuals, 70 registers, 38 stops, 55 ranks
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The specification of the Wicks organ at Mother A.M.E. Zion Church was a collaboration between organist Solomon Herriot and Allan J. Ontko. Layout and scaling were designed by Mr. Ontko, who, along with Guy Henderson, installed and tonally finished the organ. Jack Steinkampf voiced the Trompette de Fête, a horizontal reed located in the gallery. |
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Great Organ (Manual II) – 61 notes
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16 |
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Montre |
61 |
1 1/3 |
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Mixture IV-V ranks |
293 |
8 |
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Principal |
61 |
16 |
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Basson |
SW |
8 |
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Kleinprincipal |
61 |
8 |
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Trompete |
73 |
8 |
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Rohrgedeckt |
61 |
4 |
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Klarine (fr. Trompete) |
— |
4 |
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Octave |
61 |
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Tremolo |
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4 |
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Principal |
61 |
8 |
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Trompette de Fête |
ANT |
4 |
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Spielflöte |
73 |
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2 |
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Octave |
61 |
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Unison Off |
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2 |
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Spielpfeife (fr. Sielflöte) |
— |
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Swell Organ (Manual III) – 61 notes, enclosed
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8 |
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Koppelflöte * |
61 |
16 |
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Basson |
73 |
8 |
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Gambe |
61 |
8 |
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Trompette |
73 |
8 |
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Voix Celeste |
61 |
8 |
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Hautbois (fr. Basson) |
— |
4 |
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Principal |
73 |
8 |
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Voix Humaine |
61 |
4 |
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Holztraverse * |
73 |
4 |
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Clairon (fr. Trompette) |
— |
2 2/3 |
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Nasat * |
61 |
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Tremolo |
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2 |
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Octave (fr. Principal) |
— |
8 |
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Trompette de Fête |
ANT |
2 |
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Octavin * (fr. Holztraverse) |
— |
8 |
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Harp (TC)
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— |
1 3/5 |
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Terz * |
61 |
4 |
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Cornet V ranks |
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Swell 16' |
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[collective, draws * stops] |
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Unison Off |
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1/3 |
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Cimbel IV ranks |
244 |
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Swell 4' |
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Positive Organ (Manual I) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
1 |
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Blockflöte |
— |
8 |
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Principal |
61 |
1/2 |
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Scharf III-IV ranks |
232 |
8 |
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Holzgedeckt (fr. Bourdon) |
— |
8 |
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Cromhorne |
61 |
8 |
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Erzähler |
61 |
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Tremolo |
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8 |
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Unda Maris (TC) |
49 |
8 |
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Trompette de Fête |
ANT |
4 |
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Octave |
73 |
4 |
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Celesta |
SW |
4 |
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Rohrflöte |
73 |
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Chimes |
GT |
2 |
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Weitoctave (fr. Octave) |
— |
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Positive 16' |
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2 |
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Rohrpfeife (fr. Rohrflöte) |
— |
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Unison Off |
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1 1/3 |
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Klein Nasard |
— |
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Positive 4' |
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Antiphonal Organ (Manual IV) – 61 notes
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8 |
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Bourdon |
73 |
1 |
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Fourniture III-V ranks |
269 |
4 |
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Prestant |
73 |
8 |
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Trompette de Fête |
61 |
4 |
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Doppelflöte (fr. Bourdon) |
— |
4 |
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Clairon de Fête (fr. 8') |
— |
2 |
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Doublette (fr. Prestant) |
— |
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Pedal Organ – 32 notes
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32 |
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Gross Untersatz |
56 |
4 |
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Gedacktflöte |
PO |
16 |
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Holzprincipal |
32 |
2 |
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Mixtur IV ranks |
128 |
16 |
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Principal (metal) |
56 |
32 |
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Bombarde |
56 |
16 |
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Subbass (fr. 32') |
— |
16 |
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Bombarde |
— |
16 |
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Bourdon |
PO |
16 |
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Basson |
SW |
10 2/3 |
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Bourdon |
PO |
8 |
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Trompette |
— |
8 |
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Octave (fr. Principal) |
— |
8 |
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Trompete de Fête |
ANT |
8 |
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Pommer (fr. 32') |
— |
4 |
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Clairon |
— |
8 |
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Holzgedeckt |
PO |
4 |
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Cromhorne |
PO |
4 |
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Choralbass (fr. Principal) |
— |
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Couplers
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Great to Pedal 8' |
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Antiphonal to Great 8' |
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Swell to Pedal 8', 4' |
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Pedal to Great 8' |
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Positive to Pedal 8', 4' |
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Antiphonal to Swell 8' |
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Antiphonal to Pedal 8' |
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Great to Positive 8' |
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Swell to Great 16', 8', 4' |
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Swell to Positive 16', 8', 4' |
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Positive to Great 16', 8', 4' |
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Adjustable Combinations
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Antiphonal Organ |
Pistons 1-2-3 (thumb) |
Swell Organ |
Pistons 1-2-3-4-5 (thumb) |
Great Organ |
Pistons 1-2-3-4-5 (thumb) |
Positive Organ |
Pistons 1-2-3-4-5 (thumb) |
Pedal Organ |
Pistons 1-2-3-4-5 (thumb) |
Full Organ |
Pistons A-B-C-D-E-F-G-H (thumb & toe) |
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Reversibles
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Great to Pedal (thumb & toe) |
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Swell to Great (thumb & toe) |
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Swell to Pedal (thumb & toe) |
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Tutti (thumb & toe) |
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Positive to Pedal (thumb & toe) |
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32' Untersatz (toe) |
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Antiphonal to Pedal (thumb & toe) |
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32' Bombarde (toe) |
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Accessories
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Balanced Swell Expression Pedal |
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Tutti Indicator Light |
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Balanced Positive Expression Pedal |
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Crescendo Indicator (six lights) |
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Balanced Crescendo Pedal |
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Chancel Wind Indicator Light |
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Orchestral Crescendo (tablet) |
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Antiphonal Wind Indicator Light |
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Combination Lock |
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Orchestral Crescendo Ind. Light |
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First organ in present church building:
M. P. Möller, Inc.
Hagerstown, Md. – Opus 4206 (1925)
Electro-pneumatic action
3 manuals, 45 registers, 29 stops, 31 ranks
The original organ in the present building was built by the M.P. Möller Company. Pipecounts shown on the following specification are suggested, based on similar Möller organs of the era. |
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Great Organ (Manual II) – 61 notes, enclosed with Choir
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16 |
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Double Open Diapason |
73 |
8 |
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Gemshorn |
73 |
8 |
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First Open Diapason |
73 |
4 |
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Flute Harmonique |
73 |
8 |
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Second Open Diapason |
73 |
4 |
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Octave |
73 |
8 |
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Doppel Flute |
73 |
8 |
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Tuba |
73 |
8 |
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Clarabella |
73 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
85 |
2 2/3 |
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Quint |
— |
8 |
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Open Diapason |
73 |
2 |
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Fifteenth |
— |
8 |
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Viole d'Orchestre |
73 |
1 3/5 |
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Tiercena |
— |
8 |
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Vox Celeste (TC) |
61 |
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Mixture III ranks |
183 |
8 |
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Salicional |
85 |
8 |
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Cornopean |
73 |
8 |
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Flauto Traverso |
73 |
8 |
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Oboe |
73 |
8 |
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Gedeckt (fr. Bourdon) |
— |
8 |
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Vox Humana |
61 |
8 |
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Aeoline |
73 |
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Tremulant |
4 |
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Orchestral Flute |
73 |
8 |
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4 |
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Salicet (fr. 8') |
— |
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Choir Organ(Manual I) – 61 notes, enclosed
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8 |
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English Open Diapason |
73 |
8 |
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Dulciana |
73 |
8 |
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Viole da Gamba |
73 |
4 |
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Dulcet |
— |
8 |
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Doppel Flute |
GT |
4 |
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Flute |
— |
8 |
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Melodia |
73 |
8 |
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Tuba |
GT |
8 |
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Gemshorn |
GT |
8 |
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Clarinet |
73 |
8 |
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Gemshorn Celeste |
61 |
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Tremulant |
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Pedal Organ – 32 notes
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16 |
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Open Diapason |
44 |
8 |
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Octave (fr. Open Diap.) |
— |
16 |
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Small Diapason |
GT |
8 |
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Violoncello |
CH |
16 |
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Bourdon |
44 |
8 |
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Flute (fr. Bourdon) |
— |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Tuba (ext. GT) |
12 |
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Couplers
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Great to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Choir to Swell 16', 8', 4' |
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Choir to Pedal 8', 4' |
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Great 16', 4', Unison Off |
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Swell to Great 16', 8', 4' |
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Swell 16', 4', Unison Off |
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Choir to Great 16', 8', 4' |
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Choir 16', 4', Unison Off |
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Adjustable Combinations
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Swell Organ |
Pistons 1-2-3-4-5-0 |
Great Organ |
Pistons 1-2-3-4-5-0 |
Choir Organ |
Pistons 1-2-3-4-5-0 |
Pedal Organ |
Pistons 1-2-3-4-5-0 |
Full Organ |
Pistons 1-2-3-4 |
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Pedal Movements
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Balanced Expression Pedal, Swell Organ |
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Great to Pedal Reversible |
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Balanced Expression Pedal, Great-Choir Organs |
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Sforzando Pedal |
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Grand Crescendo Pedal |
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Known organ in church located at 151 West 136th Street:
Hilborne L. Roosevelt
New York City – Opus 58 (1880)
Mechanical action
1 manual, 3 stops
Although the exact specifications of this organ have not been located, it seems likely that the instrument was one of Roosevelt's two stock models — "Style Two" or "Style Three" — that had one manual and three stops. Both models had an 8' Open Diapason and 8' Dulciana with 58 notes, plus a 13-note 16' Bourdon Bass. "Style Three" differed from "Style Two" in that the Open Diapason and Dulciana were divided stops with 29 notes in the Treble, and 29 notes in the Bass. Both styles were 7'6" wide, 3' deep (3'4" for the Style Three), and 12' in height.
Following is the specification of a "Style Three." |
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Manual – 58 notes, enclosed
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8 |
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Open Diapason, Treble (TF) |
29 |
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8 |
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Open Diapason, Bass |
29 |
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8 |
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Dulciana, Treble (TF) |
29 |
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8 |
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Dulciana, Bass |
29 |
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16 |
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Bourdon, Bass |
13 |
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Pedal – 13 notes
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No stops; by coupler only |
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Couplers
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Manual Octaves |
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Manual to Pedal |
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Mechanical Accessories
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Tremulant |
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Bellow's Signal |
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Pedal Movement
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Balanced Swell Pedal |
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Known organ in church located at 151 West 136th Street:
George Jardine & Son
New York City (1858)
Mechanical action
2 manuals, 20 stops
Specifications for this organ have not yet been located. |
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Known organ in church located at 127 West 89th Street:
William H. Davis & Son
New York City (1904)
Tubular-pneumatic action
2 manuals, 16 stops
Specifications for this organ have not yet been located. |
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Known organ in church located on Bleecker Street:
Davis & Ferris
New York City (1846)
Mechanical action
2 manuals, 22 stops
Specifications for this organ have not yet been located. |
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Sources:
Organ Historical Society American Organ Archives, Princeton, N.J. Specification for M.P. Möller Organ, Op. 4206 (1925). Courtesy Jonathan Bowen.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
"Hilborne L. Roosevelt, Manufacturer of Church, Chapel, Concert and Chamber Organs," catalog pub. by Roosevelt Organ Works (Dec. 1888); republished by The Organ Literature Foundation, Braintree, Mass., 1978.
Mother A.M.E. Zion Church. Archival information and photos. Courtesy the Rev. Dr. Gregory Robeson Smith, Senior Pastor.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
Illustrations:
Lawson, Steven E. Interior and exterior; Wicks Organ, Op. 5565 (1976).
Mother A.M.E. Zion Church. Manuals, pedalboard, view from left of Wicks Organ, Op. 5565 (1976).
New York Public Library. A.M.E. Zion Church on Bleecker and West 10th Streets.
Wurts Bros. (New York, N.Y.). Exterior (1925). Collection of the Museum of the City of New York. |
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