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Church of Our Lady of Pompeii
(Roman Catholic)
25 Carmine Street
New York, N.Y. 10014
In 1892, the Rev. Pietro Bandini of the Missionaries of St. Charles, or Scalabrinians, established a chapel to Our Lady of Pompeii on Waverly Place. The chapel became a parish after moving to Sullivan Street. In 1898, the church moved into the Third Universalist Church, a Greek Revival edifice which had been built in 1836 at 214 Bleecker Street. At this location, Mother Frances Xavier Cabrini, the first American saint, taught briefly, and the Rev. Antonio Demo served as pastor from 1900-1935.
Father Demo was a noted personality in the Italian Greenwich Village, especially after the tragedy of the Triangle Shirtwaist fire of 1911 which claimed several of in his parish. When the city decided to extend Sixth Avenue through the church property, Demo enlisted Matthew W. Del Gaudio to design the present church, school, convent and rectory. The church's interior is adorned with many paintings and statuary, given by Italian parishioners. The square outside the church was named for Father Demo in 1941, five years after his death. Our Lady of Pompeii now includes Vietnamese and Filipino parishioners, but continues to offer one mass in Italian every Sunday. |
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Geo. Kilgen & Son
St. Louis, Mo. – Opus 4247 (1928)
Electro-pneumatic action
3 manuals, 47 stops, 22 ranks
Since its installation in 1928, the Kilgen organ has been revised and enlarged. Following are the original specifications as reported in the December 1928 issue of The Diapason: |
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Great Organ (Manual II) – 61 notes [partially enclosed with Choir?] |
16 |
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Open Diapason [unit] |
85 |
4 |
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Octave |
— |
8 |
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First Open Diapason |
61 |
4 |
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Flute |
CH |
8 |
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Second Open Diapason |
— |
2 |
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Flute Octaviante |
CH |
8 |
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Philomela |
61 |
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Mixture III ranks |
CH |
8 |
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Viol d'Gamba |
CH |
8 |
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Tuba |
73 |
8 |
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Melodia |
CH |
4 |
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Clarion |
— |
8 |
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Dulciana |
73 |
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Swell Organ (Manual III) – 61 notes, enclosed |
16 |
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Bourdon [unit] |
97 |
4 |
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Flute d'Amour |
— |
8 |
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Open Diapason |
73 |
4 |
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Violina |
61 |
8 |
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Stopped Diapason |
— |
2 |
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Flautina |
— |
8 |
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Salicional |
73 |
8 |
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Cornopean |
73 |
8 |
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Voix Celeste [TC] |
61 |
8 |
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Vox Humana |
73 |
8 |
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Aeoline |
73 |
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Chimes |
GT |
8 |
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Quintadena [synthetic] |
— |
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Choir Organ (Manual I) – 61 notes, enclosed |
16 |
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Bass Flute [TC] |
— |
4 |
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Dulcet |
GT |
8 |
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Open Diapason |
GT |
2 |
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Piccolo |
— |
8 |
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Violoncello |
61 |
8 |
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Orchestral Oboe [syn.] |
— |
8 |
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Melodia [unit] |
61 |
8 |
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Clarinet |
73 |
8 |
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Dolce |
GT |
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Mixture, 3 ranks |
183 |
4 |
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Flute |
— |
8 |
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Tibia Clausa |
73 |
4 |
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Fugara [Violoncello] |
— |
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Echo Organ – console preparation |
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Pedal Organ – 32 notes |
16 |
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Open Diapason |
32 |
8 |
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Violoncello |
CH |
16 |
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Bourdon |
44 |
16 |
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Open Diapason |
GT |
16 |
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Lieblich Gedeckt |
SW |
16 |
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Trombone [ext. GT] |
12 |
8 |
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Bass Flute [Bourdon] |
— |
8 |
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Tuba |
GT |
8 |
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Dolce Flute |
SW |
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Sources:
The Diapason, December 1928; Specifications of Geo. Kilgen & Son Organ, Op. 4247 (1928); courtesy Jeff Scofield.
Dunlap, David W. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Photos:
John Rust |
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