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Church of St. Jean Baptiste (Roman Catholic)
184 East 76th Street at Lexington Avenue
New York, N.Y. 10021 http://www.sjbrcc.org/
In the early part of 1800, a large number of French-speaking people resided in New York City. A Mr. Gabriel Franchère, who came from Montreal, Canada, as one of the secretaries of the Pacific Fur Company founded by John Jacob Astor, reports: "In 1810 there were in New York City 32 churches, two of which were Catholic. The population was up to ninety thousand, of whom ten thousand were French-speaking." In 1841, St. Peter's Church, on Barclay Street, established a mission to the French Catholic population by building St. Vincent de Paul Church on Canal Street. As the French population moved northward, a new St. Vincent de Paul was built on West 23rd Street in 1867. St. Vincent de Paul Church was quite a distance from the Yorkville section of the city where a fairly large group of French Canadians had settled. They had the choice of using the slow-moving horse-drawn trolley along Third Avenue or the more expensive trains of the Harlem Railroad with its open tracks along the northern part of Fourth Avenue, now called Park Avenue.
The Societé Saint Jean Baptiste, founded in 1850, established L'Eglise de St. Jean Baptiste in 1882, at first meeting in a stable at 202 East 77th Street while a church was built in 1882-85 at 159 East 76th Street. In 1892, St. Jean Baptiste became a shrine to St. Anne with the presentation of a relic from Sainte-Anne-de-Beaupré in Quebec, and the resulting crowds regularly overflowed the church.
The construction of the present church building was due, in large part, to the contributions of Thomas Fortune Ryan and his wife. Ryan, a devout and wealthy man of unassuming ways, preferred St. Jean's to the large and showy parishes near his Fifth Avenue home, and the Blessed Sacrament Fathers served as his wife's private chaplains at the Ryan's country home in Suffern, New York. One day he arrived late for mass and found that there was standing room only. At the conclusion of the service, he approached the officiating priest and asked how much it would cost to build a new church. The priest answered, apparently off the top of his head, "$300,000." Ryan replied, "Get some plans and I will pay for it."
The new church, completed in 1913, was designed by Nicholas Serracino in the Italian Baroque style, with a massive, freestanding Corinthian portico, twin bell towers, and a magnificent dome which rises 175 feet over the crossing of the nave and transepts. The stained glass windows of the church are some of the finest in the city, having been crafted in Chartres, France, before the outbreak of World War I. Its total cost was ultimately close to $600,000.
By the 1960s, the demographics had changed and French masses were no longer offered. The vast Lower Church, as large as the main church above, was reconfigured to be the parish Community Center with meeting rooms and a theater. Today, the church hosts productions of DiCapo Opera, one of New York's finest independent companies, and the Park Avenue Chamber Symphony. In the 1990s, after selling its air rights to the adjacent Siena apartment tower, the church began a program to restore the building's crumbling exterior. The interior, which was originally somber, was renovated and redecorated in vivid colors by Felix Chavez, Inc. of New York City.
In 1969, the Church of St. Jean Baptiste was designated by the New York City Landmarks Preservation Commission. |
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Wicks Organ Company
Highland, Ill. – Opus 6388 (2000)
Direct-Electric key action
Solid State combination action
4 manuals, 71 pipe ranks, 57 digital ranks, 4,204 pipes
As part of the renovation of St. Jean Baptiste, the Wicks Organ Company received the contract in 1999 to replace the 1913 Murray M. Harris organ which had become unplayable by the 1990s. The new organ contains 11 divisions, playable from a four-manual console located in the lower gallery, and retains the facade and many ranks from the original organ. |
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UPPER GALLERY |
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Great Organ (Manual II) – 61 notes
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8 |
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Principal * |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Gedeckt * |
61 |
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Mixture IV ranks |
244 |
8 |
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Violone |
61 |
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Cymbal IV ranks |
digital |
8 |
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Gamba * |
61 |
8 |
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Trumpet |
61 |
4 |
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Octave |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt * |
61 |
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Mixture IV ranks * |
244 |
8 |
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Violin Diapason * |
61 |
16 |
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Contra Oboe * |
61 |
8 |
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Claribel Flute * |
61 |
8 |
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Trompette * |
61 |
8 |
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Stopped Diapason * |
61 |
8 |
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Cornopean * |
61 |
8 |
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Salicional * |
61 |
8 |
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Oboe * |
61 |
8 |
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Voix Céleste * |
61 |
8 |
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Vox Humana * |
61 |
4 |
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Octave * |
61 |
4 |
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Clairon * |
61 |
4 |
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Flauto Traverso * |
61 |
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Tremulant |
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2 2/3 |
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Nazard |
61 |
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Vox Humana Tremulant |
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2 |
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Piccolo |
61 |
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Cymbelstern |
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1 3/5 |
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Tierce |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Principal * |
61 |
2 |
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Flautino |
61 |
8 |
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Rohr Flute |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Viole de Gamba |
61 |
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Mixture III ranks * |
183 |
8 |
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Gamba Celeste |
61 |
8 |
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Clarinet * |
61 |
8 |
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Flauto Dolce |
61 |
8 |
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Cromhorne |
digital |
8 |
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Flute Celeste |
61 |
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Tremulant |
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4 |
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Choral Principal * |
61 |
8 |
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Fanfare Trumpet |
SO |
4 |
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Harmonic Flute |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
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16 |
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English Horn |
digital |
4 |
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Octave * |
61 |
8 |
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Grand Diapason * |
61 |
4 |
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Flute * |
61 |
8 |
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Doppelflöte |
61 |
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Cornet V ranks [mounted] |
digital |
8 |
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Gross Gamba * |
61 |
8 |
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Tuba * |
61 |
8 |
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Gamba Celeste * |
61 |
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Tremulant |
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8 |
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Dulciana/Unda Maris II ranks * |
122 |
8 |
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Fanfare Trumpet |
digital |
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Pedal Organ – 32 notes
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32 |
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Principal |
digital |
5 1/3 |
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Quint |
32 |
32 |
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Bourdon * |
32 |
4 |
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Super Octave * |
32 |
32 |
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Violone |
digital |
4 |
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Doppelflöte |
SO |
16 |
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Open Wood * |
32 |
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Grand Cornet IV ranks |
digital |
16 |
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Open Metal |
digital |
32 |
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Posaune |
digital |
16 |
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Diapason |
GT |
16 |
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Ophicleide * |
32 |
16 |
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Violone * |
32 |
16 |
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Bombarde |
digital |
16 |
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Dulciana * |
32 |
16 |
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Contre Trompette |
digital |
16 |
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Bourdon * |
32 |
16 |
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Contra Oboe |
SW |
16 |
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Lieblich Gedeckt |
SW |
8 |
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Tromba * |
32 |
8 |
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Octave * |
32 |
8 |
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Trompette |
SW |
8 |
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Gedeckt |
SW |
4 |
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Clairon * |
32 |
8 |
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Violone |
GT |
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LOWER GALLERY |
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Grande Orgue (Manual II) – 61 notes, unenclosed
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16 |
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Bourdon |
digital |
2 |
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Doublette |
61 |
8 |
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Montre |
61 |
1 3/5 |
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Tierce |
61 |
8 |
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Bourdon |
61 |
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Plein Jeu IV ranks |
244 |
8 |
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Flûte Harmonique |
digital |
16 |
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Basson |
digital |
8 |
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Salicional |
digital |
8 |
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Trompette |
61 |
4 |
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Prestant |
61 |
4 |
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Clairon |
digital |
4 |
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Flûte Ouverte |
digital |
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Chimes |
digital |
2 2/3 |
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Quint |
digital |
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Récit (Manual III) – 61 notes, enclosed
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8 |
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Principal Conique |
61 |
1 1/3 |
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Larigot |
61 |
8 |
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Flûte Traversière |
61 |
8 |
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Cor Anglais |
digital |
8 |
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Viole de Gambe * |
61 |
8 |
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Hautbois |
61 |
8 |
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Voix Céleste |
digital |
8 |
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Trompette Harmonique |
digital |
4 |
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Flûte Octaviante |
61 |
4 |
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Clairon |
digital |
2 |
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Octavin |
61 |
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Tremblant |
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Pédale – 32 notes
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16 |
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Contre Basse |
digital |
4 |
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Chorale basse |
digital |
16 |
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Soubasse |
digital |
16 |
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Petite Bombarde |
digital |
8 |
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Octave Basse |
digital |
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Chimes |
G.O. |
8 |
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Flûte |
G.O. |
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TRIFORIUM (North transept) |
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Grande Orgue (Manual II) – 61 notes
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8 |
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Montre |
digital |
4 |
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Prestant |
digital |
8 |
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Bourdon |
digital |
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Plein Jeu III ranks |
digital |
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Récit (Manual III) – 61 notes, expressive
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8 |
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Flûte Harmonique |
digital |
8 |
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Hautbois |
digital |
8 |
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Viole de Gambe |
digital |
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Tremblant |
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8 |
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Voix Céleste |
digital |
8 |
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Trompette de Fanfare |
digital |
4 |
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Flûte Octaviante |
digital |
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Pédale – 32 notes
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16 |
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Bourdon |
digital |
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16 |
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Basson |
digital |
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* ranks from 1913 Murray Harris organ |
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Digital Stops by Walker Technical Company |
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Murray Harris facade and Kilgen console |
Murray M. Harris Company
Los Angeles, CA – Opus 104 (1913)
Electro-pneumatic action
4 manuals, 60 stops, 63 ranks
The Murray Harris organ built for St. Jean Baptiste was a gift from Mr. Thomas F. Ryan. Built in 1913, it is perhaps the last instrument designed by Murray Harris, as the contract was completed by the Johnston Piano and Organ Company. An organ of 60 stops and 63 ranks, it was blessed on Sunday, January 4, 1914 and first used that evening in recital by Gaston M. Dethier (1875-1958), who was then Professor of Organ at the Juilliard School. The specification and scaling of the instrument were carried out by Arthur Scott Brook, in collaboration with Murray Harris. Mr. Brook had most recently finished designing an instrument for the Hon. William A. Clarkson's Fifth Avenue mansion. The Italian Renaissance facade, which stands today, follows the case design of the organ in the 16th century Church of Santa Maria della Scala in Siena, Italy.
In the 1940's, the Kilgen Organ Company of St. Louis, MO, installed a new four-manual console to replace the original Murray Harris. The instrument continued to serve the parish until it became unplayable in the early 1990's. |
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Great Organ (Manual II) – 61 notes
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16 |
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Double Open Diapason |
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4 |
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Principal |
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8 |
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First Open Diapason |
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4 |
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Octave |
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8 |
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Second Open Diapason |
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4 |
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Harmonic Flute |
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8 |
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Dopple Flute |
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2 2/3 |
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Twelfth |
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8 |
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Gamba |
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2 |
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Fifteenth |
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8 |
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Viola d'Amour |
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8 |
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Trumpet |
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Swell (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt |
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4 |
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Octave |
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8 |
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Open Diapason |
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4 |
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Wald Flute |
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8 |
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Violin Diapason |
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2 |
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Harmonic Piccolo |
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8 |
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Salicional |
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Mixture IV ranks |
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8 |
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Viol Celeste |
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16 |
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Contra Oboe |
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8 |
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Viol d'Orchestre |
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8 |
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Horn |
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8 |
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Lieblich Gedeckt |
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8 |
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Orchestral Oboe |
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8 |
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Clarabella |
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4 |
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Clarion |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Double Diapason |
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8 |
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Dulciana |
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8 |
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Geigen Principal |
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8 |
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Viola |
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8 |
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Flauto Traverso |
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4 |
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Flauto d'Amour |
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8 |
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Quintadena |
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8 |
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Clarinet |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Grand Diapason |
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8 |
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Philomela |
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8 |
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Saxophone [labial?] |
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8 |
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Flauto Major |
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8 |
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Gross Gamba |
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8 |
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Tuba Mirabilis |
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8 |
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Vox Seraphic |
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Echo Organ – 61 notes, enclosed
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8 |
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Keraulophon |
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8 |
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Vox Seraphic |
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8 |
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Rohr Flute |
|
8 |
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Unda Maris |
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8 |
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Vox Mystica |
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4 |
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Nachthorn |
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Pedal Organ – 32 notes
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32 |
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Contra Bourdon |
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16 |
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Dulcet Bass |
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16 |
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Open Diapason |
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8 |
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Octave |
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16 |
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Contra Basso |
|
8 |
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Gedeckt |
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16 |
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Violone |
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8 |
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Violin Cello |
|
16 |
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Bourdon |
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4 |
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Carillon |
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16 |
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Dulciana |
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16 |
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Trombone |
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Organ in the Lower Church: M. P. Möller, Inc.
Hagerstown, Md. – Opus 7581 (1947)
Electro-pneumatic action
2 manuals, 34 registers, 20 stops, 9 ranks
The M.P. Möller Factory Specification, dated March 1, 1947, shows that their Op. 7581 was entirely enclosed in a single expression chamber and had a detached stop-key console. Möller reused many pipes from the previous Möller organ, Op. 1404 of 1912. The entire organ was voiced on 4" wind pressure. |
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Great Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason |
85 |
4 |
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Flute [fr. Clarabella] |
— |
8 |
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Clarabella |
85 |
4 |
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Dulcet [fr. Dulciana] |
— |
8 |
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Dulciana |
85 |
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Tremolo |
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4 |
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Octave [fr. Diapason] |
— |
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Swell Organ (Manual II) – 61 notes, enclosed
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16 |
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Bourdon |
97 |
4 |
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Flute d'Amour [fr. Bourdon] |
— |
8 |
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Geigen Principal |
73 |
2 2/3 |
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Nasard [fr. Bourdon] |
— |
8 |
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Viole d'Gamba |
73 |
2 |
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Flautino [fr. Bourdon] |
— |
8 |
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Voix Celeste [TC] |
61 |
8 |
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Trumpet |
73 |
8 |
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Gedeckt [fr. Bourdon] |
— |
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Tremolo |
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Pedal Organ – 32 notes, enclosed
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16 |
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Bourdon |
44 |
8 |
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Gedeckt |
SW |
16 |
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Lieblich Gedeckt |
SW |
4 |
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Flute |
SW |
8 |
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Flute [fr. Bourdon] |
— |
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Couplers
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Great to Pedal |
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Great 16', Unison, 4' |
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Swell to Pedal |
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Swell 16', Unison, 4' |
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Swell to Great 16', 8', 4' |
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Adjustable Combinations
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Pistons No. 1-2-3 |
affecting Great and Pedal Stops |
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Pistons No. 1-2-3 |
affecting Swell and Pedal Stops |
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Pistons No. 1-2-3 |
affecting Full Organ |
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Pedal Movements
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Balanced Expression Pedal |
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Sforzando Reversible |
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Balanced Crescendo Pedal |
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Great to Pedal Reversible |
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Accessories
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Expression Indicator (light) |
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Sforzando Indicator (light) |
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Crescendo Indicator (light) |
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Action Current Indicator (light) |
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Organ in the Lower Church: M. P. Möller, Inc.
Hagerstown, Md. – Opus 1404 (1912)
Electro-pneumatic action
2 manuals, 19 registers
Specifications of this organ have not yet been located. |
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Sources:
Brown, Kyler. Document on the organs at the Church of St. Jean Baptiste.
Church of St. Jean Baptiste website: http://www.sjbrcc.org/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks. Hoboken: John Wiley & Sons, Inc., 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Nelson, George. Organs in the United States and Canada Database. Seattle, Wash.
Scofield, Jeff. M.P. Möller Opus List.
Smith, David Lennox (ed. by Orpha Ochse). Murray M. Harris and Organ Building in Los Angeles, 1894-1913. Richmond: The Organ Historical Society, 2005.
Trupiano, Larry. Factory Specifications of M.P. Möller Organ, Op. 7581 (1947).
Photos:
St. Jean Baptiste website: exterior and interior
Wicks Organ Company: Interior view of rear gallery, Wicks organ console |
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