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| click on images to enlarge |
Cathedral Church of St. John the Divine
(Episcopal)
1047 Amsterdam Avenue at 112th Street
New York, N.Y. 10026 http://www.stjohndivine.org
The Great Organ
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Construction of the cathedral began in 1892 as a Byzantine-Romanesque structure according to designs by Heins & LaFarge. When Heins died in 1907, the first design phase came to an end. The Choir, Crossing, and the Chapels of St. Saviour and St. Columba had been completed by 1911. The second phase of construction began in 1916 and was overseen by the new architect, Ralph Adams Cram of Cram, Goodhue and Ferguson, who changed the style from Romanesque to Gothic. Cram's new design extended the Cathedral by 81 feet, to 301 feet. By 1918, the seven Chapels of the Tongues, around the Choir and High Altar, were completed. Each chapel is dedicated to a different immigrant group. Between 1925 and 1933 the Nave, West Front, Baptistry and a portion of the North Transept were constructed. On Sunday, November 30, 1941, the opening of the full length (601 feet) of the Cathedral was celebrated. The very next week, the Japanese attacked Pearl Harbor, halting construction on the Cathedral for the next 32 years.
In the 1970s, the Very Rev. James Parks Morton, Dean at the time, urged that work on the cathedral might resume, but with a new emphasis: the Cathedral would hire and train the unemployed and underemployed from the neighborhood to do the work. He urged, "We will revive the art of stonecraft ... and provide our city with a massive symbol of hope and rebirth." A stoneyard was built in 1979 for the stonemasons, and on September 29, 1982, aerialist Philippe Petit crossed Amsterdam Avenue on a 150-foot high wire to deliver a silver trowel to Bishop Paul Moore, marking the start of the next phase of construction.
Within a few years, the 150-foot South Tower of the West Front began to inch upward, stone by stone, toward its intended height of 300 feet. By the early 1990s, however, the economy was in recession, the stoneworks went bankrupt, and worked again stopped on the Cathedral, with the exception of the Portal of Paradise, the central entrance on the West Front. The Portal's statuary, designed by master sculptor Simon Verity and carved by Jean Claude Marchionni, is comprised of 8-foot and 3-foot figures from the Old and New Testaments; it was completed in the summer of 1997 and dedicated that fall. The Cathedral is now two-thirds complete. The towers, the transepts, the Great Crossing and the choir roof remain to be completed.
The Cathedral experienced a devastating fire in the unfinished portion of the North Transept on December 18, 2001, destroying the Cathedral Gift Store and causing extensive smoke damage to the Choir and Chapels. The Great Organ and the other two Aeolian-Skinner organs in the side chapels were also damaged and silenced until they could be cleaned and restored.
After several years of cleaning, during which sections of the cathedral were closed to the public, the cathedral was reopened with festive services on November 30, 2008, exactly 67 years to the date of the dedication of the completed nave. The Great Organ was played and rededicated at this time.
See also the Portable Nave Organ, St. Ansgar Chapel, St. James Chapel, and the Synod House. |
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Aeolian-Skinner Organ Company, Inc.
Boston, Mass. – Opus 150-A (1954)
Rebuilt by Quimby Pipe Organs, Inc. (2008)
Electro-pneumatic chest action
Solid state key and combination action
4 manuals, 124 stops, 146 ranks
On December 18, 2001, the Cathedral experienced a devastating fire in the unfinished portion of the North Transept. The Great Organ and the other two Aeolian-Skinner organs in the side chapels were heavily damaged by smoke and were silenced until they could be cleaned and restored. In 2005, the Great Organ (with the exception of the State Trumpet) was removed by The Organ Clearing House and taken to Quimby Pipe Organs, Inc. of Warrensburg, Mo., for cleaning and repair. The rebuilding was supervised by Douglass Hunt, Curator of Organs at the Cathedral.
Several changes and additions were made to the organ: in the Great division, a vintage Skinner 3-1/5' Gross Tierce was added on blank actions; and in the Swell division, a new 8' Flauto Dolce (made to Aeolian-Skinner patterns) replaced the 8' Spitzflöte. In the Solo division, a vintage 8' Diapason was placed on blank actions; the 8' French Horn was relocated on added vintage Skinner actions; and a vintage 8' Corno di Bassetto was added and placed on the old French Horn actions. In the Pedal division, a vintage Skinner 16' Subbass and actions were added; the Cello III was reactivated and the 8' Spitzflöte (which in 1963 had replaced it) was relocated to an added vintage Aeolian-Skinner windchest; the former Mixtur IV was separated into two stops: a 5-1/3' Quinte and Mixtur III; and the lowest 12 notes of the original 32' Bombarde (Skinner Op. 150) were revoiced and reactivated as the 32' Contre Ophicleide. The State Trumpet was restored by Douglass Hunt. Quimby also built a new four-manual console with solid state combination action, replicating the style of the original 1911 Skinner shell and the console interior as rebuilt on location by Aeolian-Skinner. The rebuilt organ was reinstalled in the summer and fall of 2008, and rededicated on Sunday, November 30, 2008.
Photos of the restored cases and new console will be added when access is allowed by Cathedral authorities. |
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Great Organ (Manual II) – 61 notes
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16 |
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Montre |
61 |
2 2/3 |
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Twelfth |
61 |
16 |
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Quintaten [unit] |
73 |
2 |
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Doublette ° |
85 |
8 |
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Principal |
61 |
2 |
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Fifteenth |
61 |
8 |
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Diapason ° |
79 |
2 2/3 |
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Sesquialtera II ranks |
122 |
8 |
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Viola |
61 |
2 |
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Plein Jeu III-VI ranks |
294 |
8 |
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Hohl Flöte |
61 |
2 |
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Grande Fourniture V-VIII rks |
369 |
8 |
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Holz Gedeckt |
61 |
1 1/3 |
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Kleine Mixtur IV ranks |
244 |
8 |
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Erzähler |
61 |
1/2 |
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Cymbel III ranks |
183 |
8 |
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Quintaten |
— |
16 |
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Fagot |
61 |
5 1/3 |
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Quinte |
61 |
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Great Unison Off |
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4 |
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Principal ° |
85 |
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Bombarde on Great |
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4 |
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Octave ° |
85 |
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State Trumpet on Great |
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4 |
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Spitzflöte |
61 |
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Nave on Great |
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4 |
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Flute Couverte |
61 |
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3 1/5 |
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Gross Tierce [new 2008] |
61 |
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° double treble |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Contra Gamba |
73 |
2/3 |
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Scharff III-IV ranks |
220 |
16 |
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Bourdon |
73 |
16 |
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| Double Trumpet |
preparation |
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8 |
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Geigen Principal |
73 |
16 |
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Contra Fagotto |
73 |
8 |
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Viole de Gambe |
73 |
8 |
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Cornopean |
73 |
8 |
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Viole Celeste |
73 |
8 |
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Trompette |
73 |
8 |
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Salicional |
73 |
8 |
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Oboe |
73 |
8 |
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Voix Celeste |
73 |
8 |
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Voix Humaine |
73 |
8 |
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Gedeckt |
73 |
4 |
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Octave Trumpet |
73 |
8 |
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Flauto Dolce [new 2008] |
73 |
4 |
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Clairon |
73 |
8 |
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Flute Celeste |
73 |
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Tremulant |
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8 |
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Unda Maris II ranks |
146 |
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Swell to Swell 16' |
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4 |
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Prestant |
68 |
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Swell to Swell 4' |
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4 |
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Violina |
68 |
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Swell Unison Off |
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4 |
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Flauto Traverso |
68 |
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Bombarde on Swell |
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2 |
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Octavin |
61 |
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State Trumpet on Swell |
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2 |
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Plein Jeu IV ranks |
244 |
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Nave on Swell |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Sanftbass |
73 |
1 1/3 |
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Grave Mixtur III ranks |
183 |
8 |
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Viola Pomposa |
73 |
1/3 |
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Zimbel III ranks |
183 |
8 |
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Viola Celeste |
73 |
16 |
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English Horn |
73 |
8 |
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Concert Flute |
73 |
8 |
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Cromorne |
73 |
8 |
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Nason Flute |
73 |
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Clarinet |
73 |
8 |
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Dolcan |
73 |
4 |
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Trompete |
73 |
8 |
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Dolcan Celeste |
73 |
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Tremulant |
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8 |
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Dulcet II ranks |
146 |
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Choir to Choir 16' |
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4 |
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Principal |
68 |
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Choir to Choir 4' |
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4 |
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Koppelflöte |
61 |
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Choir Unison Off |
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2 2/3 |
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Rohr Nasat |
61 |
8 |
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Tuba Major |
SO |
2 |
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Blockflöte |
61 |
4 |
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Tuba Clarion |
SO |
1 3/5 |
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Terz |
61 |
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Bombarde on Choir |
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1 1/3 |
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Larigot |
61 |
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State Trumpet on Choir |
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1 |
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Sifflöte |
61 |
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Nave on Choir |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Diapason [new 2008] |
73 |
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Solo to Solo 16' |
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8 |
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Flauto Mirabilis |
73 |
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Solo to Solo 4' |
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8 |
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Harmonic Flute |
73 |
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Solo Unison Off |
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8 |
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Cello |
73 |
8 |
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Tuba Major + |
61 |
8 |
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Cello Celeste |
73 |
4 |
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Tuba Clarion + ° |
73 |
4 |
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Hohlpfeife |
73 |
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2 |
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Doppel Flöte |
61 |
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Bombarde on Solo |
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8 |
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Flugel Horn |
73 |
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State Trumpet on Solo |
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8 |
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French Horn |
73 |
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Nave on Solo |
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8 |
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Corni di Bassetto [new 2008] |
73 |
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+ unenclosed |
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8 |
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Vox Baryton |
73 |
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° double treble |
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Tremulant |
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Bombarde Organ – 61 notes (floating)
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West End – 61 notes (floating)
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1 |
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Tierce Mixture V-IX ranks |
376 |
8 |
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State Trumpet (50" wind) |
61 |
16 |
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Bombarde |
61 |
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8 |
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Trompette Harmonique |
61 |
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4 |
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Clairon Harmonique |
61 |
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Pedal Organ – 32 notes
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32 |
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Open Bass [unit] |
68 |
8 |
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Cello III ranks |
96 |
32 |
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Contra Violone [unit] |
44 |
5 1/3 |
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Quinte [sep. fr former Mixtur IV] |
32 |
16 |
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Open Bass |
— |
4 |
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Choral Bass |
32 |
16 |
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Contre Basse |
32 |
4 |
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Montre |
GT |
16 |
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Subbass [new 2008] |
32 |
4 |
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Nachthorn [Op. Bass] |
— |
16 |
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Violone |
— |
2 |
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Blockflöte |
32 |
16 |
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Montre |
GT |
2 2/3 |
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Mixtur III ranks |
96 |
16 |
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Contra Gamba |
SW |
1 1/3 |
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Scharff IV ranks |
128 |
16 |
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Bourdon |
SW |
32 |
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Contre Ophicleide [unit] |
68 |
16 |
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Sanftbass |
CH |
32 |
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Contre Bombarde [ext. BO] |
12 |
16 |
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Quintaten |
GT |
16 |
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Ophicleide |
— |
10 2/3 |
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Quintaten |
GT |
16 |
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Bombarde |
BO |
8 |
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Principal |
32 |
16 |
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Contra Fagotto |
SW |
8 |
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Open Flute [Op. Bass] |
— |
8 |
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Trumpet [Ophicleide] |
— |
8 |
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Montre |
GT |
8 |
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Bombarde |
BO |
8 |
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Spitzflöte |
32 |
4 |
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Clarion [Ophicleide] |
— |
8 |
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Pommer Gedeckt |
32 |
2 |
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Rohr Schalmei |
32 |
8 |
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Quintaton |
GT |
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Nave Organ – 61 notes
[console preparation]
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16 |
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4 |
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8 |
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2 |
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8 |
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| Mixture III-V ranks |
preparation |
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Nave Pedal Organ – 32 notes [console preparation]
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16 |
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4 |
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8 |
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Couplers
[rocking tablets above top manual]
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Swell to Pedal 8', 4' |
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Choir to Great 16', 8', 4' |
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Great to Pedal 8' |
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Solo to Great 16', 8', 4' |
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Choir to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Solo to Pedal 8', 4' |
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Solo to Choir 16', 8', 4' |
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Bombarde to Pedal 8' |
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Choir to Swell 8' |
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Nave Manual to Pedal 8' |
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Solo to Swell 8' |
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Pedal Divide |
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Great on Solo |
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Swell to Great 16', 8', 4' |
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State Trumpet on Pedal |
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Aeolian-Skinner Organ Company, Inc.
Boston, Mass. – Opus 150-A (1954)
Electro-pneumatic action
4 manuals, 115 stops, 141 ranks (139 ranks in 1963)
The Great Organ, one of five organs in the cathedral complex, was originally built by the Ernest M. Skinner Company in 1911 as a four-manual and pedal organ of 81 ranks, the firm's Opus 150.
On December 7, 1951, a contract totalling $48,378 was awarded to the Aeolian-Skinner Organ Company of Boston for the rebuilding and enlargement of the organ. Aeolian-Skinner, under the direction of G. Donald Harrison, assigned Opus 150-A to this monumental task which occured during the years 1952-54. Norman Coke-Jephcott, then-organist and choirmaster of the Cathedral, wrote that "the final specification includes a great deal which was not provided for in the original contract, particularly in regard to extensive additions to the Great and Choir organs and, of course, the State Trumpet. I would imagine that about one hundred of the one hundred and forty-one ranks of pipes are new which, with allowance for the existing mechanism and including the re-voicing of the old pipes, would indicate approximately $80,000 worth of work on the part of the builder."
Special features of the organ are the high-pressure State Trumpet on 50" of wind pressure at the west end, the high-pressure Solo Tubas, a battery of Bombarde reeds, and the remarkably effective 32' stops. The pipes are divided between two large spaces on the north and south sides of the Great Choir. The console is located in the gallery above the south choir stalls, where the organist is invisible to the congregation.
Since its installation, very few major repairs were made on the 1954 instrument beyond regular maintenance and releathering. The exception was the rehabilitation of the State Trumpet by Austin Organs Inc. of Hartford, Conn., when it was found in the mid-1990s that the structure of the stop high on the West End of the nave was in a precarious state. |
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Great Organ (Manual II) – 61 notes
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16 |
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Montre |
61 |
4 |
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Spitzflöte * |
61 |
16 |
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Quintaten [unit] |
73 |
4 |
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Flute Couverte |
61 |
8 |
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Principal |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Diapason ° |
79 |
2 |
|
Doublette ° |
85 |
8 |
|
Viola * |
61 |
2 |
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Fifteenth |
61 |
8 |
|
Hohl Flöte * |
61 |
2 2/3 |
|
Sesquialtera II ranks |
122 |
8 |
|
Holz Gedackt * |
61 |
2 |
|
Plein Jeu III-VI ranks |
294 |
8 |
|
Erzähler * |
61 |
2 |
|
Grande Fourniture V-VIII rks |
368 |
8 |
|
Quintaten |
— |
1 1/3 |
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Kleine Mixtur IV ranks |
244 |
5 1/3 |
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Quint |
61 |
1/2 |
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Cymbel III ranks |
183 |
4 |
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Principal ° |
85 |
16 |
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Fagot |
61 |
4 |
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Octave ° |
85 |
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° double treble |
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Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
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Contra Gamba * |
73 |
4 |
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Flauto Traverso * |
61 |
16 |
|
Bourdon * |
73 |
2 |
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Octavin |
61 |
8 |
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Geigen Principal |
73 |
2 |
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Plein Jeu IV ranks |
244 |
8 |
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Viole de Gambe |
73 |
2/3 |
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Scharff III-IV ranks |
220 |
8 |
|
Viole Celeste * |
73 |
16 |
|
Contra Fagotto * |
61 |
8 |
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Salicional * |
73 |
8 |
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Trompette |
68 |
8 |
|
Voix Celeste * |
73 |
8 |
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Cornopean * |
68 |
8 |
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Gedeckt |
73 |
8 |
|
Oboe * |
61 |
8 |
|
Spitzflöte * |
73 |
8 |
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Voix Humaine * |
61 |
8 |
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Flute Celeste |
68 |
4 |
|
Octave Trumpet * |
61 |
8 |
|
Unda Maris II ranks * |
146 |
4 |
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Clairon |
61 |
4 |
|
Prestant |
61 |
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Tremulant |
|
4 |
|
Violina * |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
|
16 |
|
Sanftbass * |
73 |
1 3/5 |
|
Terz * |
61 |
8 |
|
Viola Pomposa |
73 |
1 1/3 |
|
Larigot * |
61 |
8 |
|
Viola Celeste |
73 |
1 |
|
Sifflöte * |
61 |
8 |
|
Concert Flute * |
73 |
1 1/3 |
|
Grave Mixtur III ranks |
183 |
8 |
|
Nason Flute * |
73 |
1/3 |
|
Zimbel III ranks |
183 |
8 |
|
Dolcan * |
68 |
16 |
|
English Horn |
61 |
8 |
|
Dolcan Celeste [TC] * |
56 |
8 |
|
Cromorne |
61 |
8 |
|
Dulcet II ranks * |
146 |
8 |
|
Clarinet * |
61 |
4 |
|
Montre |
68 |
4 |
|
Trompete |
68 |
4 |
|
Koppelflöte |
61 |
|
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Tremulant |
|
2 2/3 |
|
Rohr Nasat |
61 |
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2 |
|
Blockflöte |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
|
8 |
|
Flauto Mirabilis * |
61 |
8 |
|
Vox Baryton * |
61 |
8 |
|
Harmonic Flute * |
73 |
8 |
|
Tuba Major * + |
61 |
8 |
|
Cello * |
73 |
4 |
|
Tuba Clarion + ° |
73 |
8 |
|
Cello Celeste * |
73 |
|
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Tremulant |
|
4 |
|
Hohlpfeife * |
61 |
|
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|
2 |
|
Doppel Flöte * |
61 |
|
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|
8 |
|
Flugel Horn * |
61 |
|
|
+ unenclosed |
|
8 |
|
French Horn * |
73 |
|
|
° double treble |
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Bombarde Organ – 61 notes (floating)
|
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West End – 61 notes (floating)
|
|
1 |
|
Tierce Mixture V-IX ranks |
376 |
8 |
|
State Trumpet (50" wind) |
61 |
16 |
|
Bombarde |
61 |
|
|
|
|
8 |
|
Trompette Harmonique |
61 |
|
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|
4 |
|
Clairon Harmonique |
61 |
|
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Pedal Organ – 32 notes
|
32 |
|
Open Bass * [unit] |
68 |
8 |
|
Gedeckt Pommer |
32 |
32 |
|
Contra Violone * [unit] |
44 |
8 |
|
Quintaton |
GT |
16 |
|
Open Bass * |
— |
4 |
|
Choral Bass |
32 |
16 |
|
Contre Basse |
32 |
4 |
|
Montre |
GT |
16 |
|
Violone * |
— |
4 |
|
Nachthorn * [Op. Bass] |
— |
16 |
|
Montre |
GT |
2 |
|
Blockflöte * |
32 |
16 |
|
Contra Gamba |
SW |
5 1/3 |
|
Mixtur IV ranks |
128 |
16 |
|
Bourdon |
SW |
1 1/3 |
|
Scharff IV ranks |
128 |
16 |
|
Sanftbass |
CH |
32 |
|
Contre Bombarde [ext. BO] |
12 |
16 |
|
Quintaten |
GT |
16 |
|
Ophicleide * [unit] |
56 |
10 2/3 |
|
Quintaten |
GT |
16 |
|
Bombarde |
BO |
8 |
|
Principal |
32 |
16 |
|
Contra Fagotto |
SW |
8 |
|
Montre |
GT |
8 |
|
Trumpet * [Ophicleide] |
— |
8 |
|
Flute Harmonique * [Op. Bass] |
— |
8 |
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Bombarde |
BO |
8 |
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Spitzflöte (1963) |
32 |
4 |
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Clarion * [Ophicleide] |
— |
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[previously Cello III ranks ] |
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2 |
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Rohr Schalmei |
32 |
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* retained or revoiced from Skinner, Op. 150 |
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Ernest M. Skinner Company
Boston, Mass. – Opus 150 (1911)
Electro-pneumatic action
4 manuals, 104 stops, 81 ranks, 5,614 pipes
The Great Organ was built by the Ernest M. Skinner Company in 1911 as a four-manual and pedal organ of 81 ranks, the firm's Opus 150. The contract for the new organ, donated by Governor Levi Parsons Morton, was signed on May 19, 1906 for a cost of $45,000. It was another four years before the structure was sufficiently complete to begin installation of the organ. In early 1911 the organ was completed, and a dedication ceremony took place in April of that year. Skinner's organ introduced several tonal developments, including the French Trumpet, Flugel Horn, Gamba Celeste, and 32' Violone. In 1939 Skinner temporarily removed the console, Great, Swell and the Diapason, Bourdon and Trombone ranks of the Pedal to the concrete partition wall between the Nave and Crossing during the installation of the vaulted ceiling in the Great Choir. Following construction, the organ was reinstalled in 1941. |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
61 |
8 |
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Erzahler |
61 |
16 |
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Bourdon |
61 |
8 |
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Harmonic Flute |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
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Gambette |
61 |
8 |
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Third Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Philomela |
SO |
2 |
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Fifteenth |
61 |
8 |
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Gross Flute |
61 |
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Mixture V ranks |
305 |
8 |
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Hohl Flute |
61 |
16 |
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Ophicleide |
SO |
8 |
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Gedackt |
61 |
8 |
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Trombone |
SO |
8 |
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Gamba |
61 |
4 |
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Clarion |
SO |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Dulciana |
73 |
4 |
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First Flute |
73 |
16 |
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Bourdon |
73 |
4 |
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Second Flute |
73 |
8 |
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First Diapason |
73 |
4 |
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Violina |
73 |
8 |
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Second Diapason |
73 |
2 |
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Flautino |
61 |
8 |
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Third Diapason |
73 |
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Mixture V ranks |
305 |
8 |
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Spitzflote |
73 |
16 |
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Trumpet |
73 |
8 |
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Salicional |
73 |
16 |
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English Horn |
73 |
8 |
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Voix Celeste |
73 |
8 |
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Cornopean |
73 |
8 |
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Viola |
73 |
8 |
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French Trumpet |
73 |
8 |
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Aeoline |
73 |
8 |
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Oboe |
73 |
8 |
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Unda Maris |
73 |
8 |
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Vox Humana |
73 |
8 |
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Claribel Flute |
73 |
4 |
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Clarion |
73 |
8 |
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Gedackt |
73 |
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Tremolo |
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4 |
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Octave |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Gedackt |
73 |
2 |
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Piccolo |
61 |
8 |
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Gamba |
73 |
16 |
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Fagotto |
73 |
8 |
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Diapason |
73 |
8 |
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Saxophone |
73 |
8 |
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Geigen Principal |
73 |
8 |
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Clarinet |
73 |
8 |
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Concert Flute |
73 |
8 |
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English Horn |
73 |
8 |
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Quintadena |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Dulciana |
68 |
8 |
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Vox Humana |
73 |
8 |
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Dulcet II ranks |
134 |
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Tremolo |
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4 |
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Flute |
73 |
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4 |
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Fugara |
73 |
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Carillon |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Stentorphone |
73 |
16 |
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Ophicleide [unit] |
97 |
8 |
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Philomela |
73 |
8 |
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Tuba |
73 |
8 |
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Claribel Flute |
73 |
8 |
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Tuba Mirabilis [Ophicleide] |
73 |
8 |
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Harmonic Flute |
73 |
8 |
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Flugel Horn |
73 |
8 |
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Gamba |
73 |
8 |
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Clarinet |
CH |
8 |
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Gamba Celeste |
73 |
8 |
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Orchestral Oboe |
CH |
4 |
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Octave |
73 |
4 |
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Clarion [Ophicleide] |
— |
4 |
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Hohlpfeife |
73 |
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Tremolo |
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4 |
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Flute |
73 |
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Pedal Organ – 32 notes
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32 |
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Diapason [unit] |
68 |
8 |
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Gedackt |
— |
32 |
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Contra Violone [unit] |
44 |
4 |
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Super Octave |
— |
16 |
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Diapason [unit] |
44 |
32 |
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Bombarde [ext. Tuba Mir.] |
12 |
16 |
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Second Diapason |
— |
16 |
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Euphonium [ext. Tuba Mir.] |
12 |
16 |
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Violone |
— |
16 |
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Ophicleide |
SO |
16 |
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First Bourdon [unit] |
44 |
16 |
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English Horn |
SW |
16 |
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Second Bourdon |
SW |
8 |
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Tuba Mirabilis |
SO |
16 |
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Gamba |
CH |
8 |
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Tuba |
SO |
16 |
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Dulciana |
SW |
4 |
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First Clarion |
SO |
8 |
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First Octave |
— |
4 |
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Second Clarion |
SO |
8 |
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Second Octave |
— |
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Sources:
Aeolian-Skinner Archives: http://aeolian-skinner.110mb.com/
Cathedral Church of St. John the Divine website: http://www.stjohndivine.org/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Kinzey, Allen, and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List. New Rev. Ed. Richmond: The Organ Historical Society, 1997.
Quimby Pipe Organs, Inc. website: Quimby Pipe Organs, Inc. Specifications of Aeolian-Skinner Organ, Op. 150-A (1954) as rebuilt (2008).
"Stop, Open and Reed – a Periodical Presentation of Pipe Organ Progress". Boston: Skinner Organ Company, 1922-1927.
Photos:
Holden, Dorothy. The Life and Work of Ernest M. Skinner: 1911 Skinner console.
Lawson, Steven E.: 2008 photo of exterior showing South Tower. |
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