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Cathedral Church of St. John the Divine
(Episcopal)
Amsterdam Avenue at 112th Street
New York, N.Y. 10026 http://www.stjohndivine.org
The Great Organ
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Construction of the cathedral began in 1892 as a Byzantine-Romanesque structure according to designs by Heins & LaFarge. When Heins died in 1907, the first design phase came to an end. The Choir, Crossing, and the Chapels of St. Saviour and St. Columba had been completed by 1911. The second phase of construction began in 1916 and was overseen by the new architect, Ralph Adams Cram of Cram, Goodhue and Ferguson, who changed the style from Romanesque to Gothic. Cram's new design extended the Cathedral by 81 feet, to 301 feet. By 1918, the seven Chapels of the Tongues, around the Choir and High Altar, were completed. Each chapel is dedicated to a different immigrant group. Between 1925 and 1933 the Nave, West Front, Baptistry and a portion of the North Transept were constructed. On Sunday, November 30, 1941, the opening of the full length (601 feet) of the Cathedral was celebrated. The very next week, the Japanese attacked Pearl Harbor, halting construction on the Cathedral for the next 32 years.
In the 1970s, the Very Rev. James Parks Morton, Dean at the time, urged that work on the cathedral might resume, but with a new emphasis: the Cathedral would hire and train the unemployed and underemployed from the neighborhood to do the work. He urged, "We will revive the art of stonecraft ... and provide our city with a massive symbol of hope and rebirth." A Stoneyard was built in 1979 for the stonemasons, and on September 29, 1982, aerialist Philippe Petit crossed Amsterdam Avenue on a 150-foot high wire to deliver a silver trowel to Bishop Paul Moore, marking the start of the next phase of construction.
Within a few years, the 150-foot South Tower of the West Front began to inch upward, stone by stone, toward its intended height of 300 feet. By the early 1990s, however, the economy was in recession, the stoneworks went bankrupt, and worked again stopped on the Cathedral, with the exception of the Portal of Paradise, the central entrance on the West Front. The Portal's statuary, designed by master sculptor Simon Verity and carved by Jean Claude Marchionni, is comprised of 8-foot and 3-foot figures from the Old and New Testaments; it was completed in the summer of 1997 and dedicated that fall. The Cathedral is now two-thirds complete. The towers, the transepts, the Great Crossing and the choir roof remain to be completed.
The Cathedral experienced a devastating fire in the unfinished portion of the North Transept on December 18, 2001. The Cathedral Gift Store was destroyed, and there was extensive smoke damage to the Choir and Chapels. The Great Organ and the other two Skinner organs in the side chapels also suffered from heavy smoke damage and are now silent and awaiting cleaning and restoration.
See also the Portable Nave Organ, St. Ansgar Chapel, St. James Chapel, and the Synod House. |
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Aeolian-Skinner Organ Company, Inc.
Boston, Mass. – Opus 150-A (1954)
Electro-pneumatic action
4 manuals, 115 stops, 141 ranks, 7,938 pipes
The Great Organ, one of five organs in the cathedral complex, was originally built by the Ernest M. Skinner Company in 1911 as a four-manual and pedal organ of 81 ranks, the firm's Opus 150.
On December 7, 1951, a contract totalling $48,378 was awarded to the Aeolian-Skinner Organ Company of Boston for the rebuilding and enlargement of the organ. Aeolian-Skinner, under the direction of G. Donald Harrison, assigned Opus 150-A to this monumental task which occured during the years 1952-54. Then-organist and choirmaster of the Cathedral, Norman Coke-Jephcott, wrote that "the final specification includes a great deal which was not provided for in the original contract, particularly in regard to extensive additions to the Great and Choir organs and, of course, the State Trumpet. I would imagine that about one hundred of the one hundred and forty-one ranks of pipes are new which, with allowance for the existing mechanism and including the re-voicing of the old pipes, would indicate approximately $80,000 worth of work on the part of the builder."
Special features of the organ are the high-pressure State Trumpet on 50" of wind pressure at the west end, the high-pressure Solo Tubas, a battery of Bombarde reeds, and the remarkably effective 32' stops. The pipes are divided between two large spaces on the north and south sides of the Great Choir. The console is located in the gallery above the south choir stalls, where the organist is invisible to the congregation.
Since its installation, very few major repairs were made on the instrument beyond regular maintenance and releathering. The exception is the rehabilitation of the State Trumpet by Austin Organs Inc. of Hartford, Conn. when it was found in the mid-1990s that the structure of the stop high on the West End of the nave was in a precarious state.
On December 18, 2001, the Cathedral experienced a devastating fire in the unfinished portion of the North Transept. The Great Organ and the other two Skinner organs in the side chapels were heavily smoke-damaged and rendered unusable until they can be cleaned and restored. In 2005, the Great Organ (with the exception of the State Trumpet) was removed by Quimby Pipe Organs, Inc. of Warrensburg, MO, for cleaning and repair, under the direction of Douglass Hunt, Curator of Organs at the Cathedral. The anticipated date for reinstallation of the organ is December 2008. |
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Great Organ (Manual II) – 61 notes
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16 |
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Montre |
61 |
4 |
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Spitzflöte * |
61 |
16 |
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Quintaten |
61 |
4 |
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Flute Couverte |
61 |
8 |
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Principal |
61 |
2 2/3 |
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Twelfth |
61 |
8 |
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Diapason ° |
61 |
2 |
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Doublette ° |
61 |
8 |
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Viola * |
61 |
2 |
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Fifteenth |
61 |
8 |
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Hohl Flöte * |
61 |
2 2/3 |
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Sesquialtera II ranks |
122 |
8 |
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Holz Gedackt * |
61 |
2 |
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Plein Jeu III-VI ranks |
? |
8 |
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Erzähler * |
61 |
2 |
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Grande Fourniture V-VIII rks |
? |
8 |
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Quintaten [ext.] |
12 |
1 1/3 |
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Kleine Mixtur IV ranks |
244 |
5 1/3 |
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Quint |
61 |
1/2 |
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Cymbel III ranks |
183 |
4 |
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Principal ° |
61 |
16 |
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Fagot |
61 |
4 |
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Octave ° |
61 |
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° double treble |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Contra Gamba * |
73 |
4 |
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Flauto Traverso * |
61 |
16 |
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Bourdon * |
73 |
2 |
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Octavin |
61 |
8 |
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Geigen Principal |
73 |
2 |
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Plein Jeu IV ranks |
244 |
8 |
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Viole de Gambe |
73 |
2/3 |
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Scharff III-IV ranks |
232 |
8 |
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Viole Celeste * |
73 |
16 |
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Contra Fagotto * |
61 |
8 |
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Salicional * |
73 |
8 |
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Trompette |
68 |
8 |
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Voix Celeste * |
73 |
8 |
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Cornopean * |
68 |
8 |
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Gedeckt |
73 |
8 |
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Oboe * |
61 |
8 |
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Spitzflöte * |
73 |
8 |
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Voix Humaine * |
61 |
8 |
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Flute Celeste |
68 |
4 |
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Octave Trumpet * |
61 |
8 |
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Unda Maris II ranks * |
146 |
4 |
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Clairon |
61 |
4 |
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Prestant |
61 |
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Tremulant |
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4 |
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Violina * |
61 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Sanftbass * |
73 |
1 3/5 |
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Terz * |
61 |
8 |
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Viola Pomposa |
73 |
1 1/3 |
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Larigot * |
61 |
8 |
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Viola Celeste |
73 |
1 |
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Sifflöte * |
61 |
8 |
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Concert Flute * |
73 |
1 1/3 |
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Grave Mixtur III ranks |
183 |
8 |
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Nason Flute * |
73 |
1/3 |
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Zimbel III ranks |
183 |
8 |
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Dolcan * |
68 |
16 |
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English Horn |
61 |
8 |
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Dolcan Celeste [TC] * |
56 |
8 |
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Cromorne |
61 |
8 |
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Dulcet II ranks * |
146 |
8 |
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Clarinet * |
61 |
4 |
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Montre |
68 |
4 |
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Trompete |
68 |
4 |
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Koppelflöte |
61 |
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Tremulant |
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2 2/3 |
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Rohr Nasat |
61 |
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2 |
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Blockflöte |
61 |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Flauto Mirabilis * |
61 |
8 |
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Vox Baryton * |
61 |
8 |
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Harmonic Flute * |
73 |
8 |
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Tuba Major * + |
61 |
8 |
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Cello * |
73 |
4 |
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Tuba Clarion + ° |
73 |
8 |
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Cello Celeste * |
73 |
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Tremulant |
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4 |
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Hohlpfeife * |
61 |
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2 |
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Doppel Flöte * |
61 |
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8 |
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Flugel Horn * |
61 |
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+ unenclosed |
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8 |
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French Horn * |
73 |
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° double treble |
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Bombarde Organ – 61 notes (floating)
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West End – 61 notes (floating)
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1 |
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Tierce Mixture V-IX ranks |
? |
8 |
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State Trumpet (50" wind) |
61 |
16 |
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Bombarde |
61 |
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8 |
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Trompette Harmonique |
61 |
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4 |
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Clairon Harmonique |
61 |
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Pedal Organ – 32 notes
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32 |
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Open Bass * [ext.] |
12 |
8 |
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Gedeckt Pommer |
32 |
32 |
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Contra Violone * [ext.] |
12 |
8 |
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Quintaton |
GT |
16 |
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Open Bass * |
32 |
4 |
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Choral Bass |
32 |
16 |
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Contre Basse |
32 |
4 |
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Montre |
GT |
16 |
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Violone * |
32 |
4 |
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Nachthorn * [ext. Op. Bass] |
12 |
16 |
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Montre |
GT |
2 |
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Blockflöte * |
32 |
16 |
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Contra Gamba |
SW |
5 1/3 |
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Mixtur IV ranks |
128 |
16 |
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Bourdon |
SW |
1 1/3 |
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Scharff IV ranks |
128 |
16 |
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Sanftbass |
CH |
32 |
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Contre Bombarde [ext.] |
12 |
16 |
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Quintaten |
GT |
16 |
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Ophicleide * |
32 |
10 2/3 |
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Quintaten |
GT |
16 |
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Bombarde |
BO |
8 |
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Principal |
32 |
16 |
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Contra Fagotto |
SW |
8 |
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Montre |
GT |
8 |
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Trumpet * |
32 |
8 |
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Flute Harmonique * [ext. Op. Bass] |
12 |
8 |
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Bombarde |
BO |
8 |
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Spitzflöte (1963) |
32 |
4 |
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Clarion * |
32 |
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(previously Cello III ranks ) |
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2 |
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Rohr Schalmei |
32 |
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* retained or revoiced from Skinner, Op. 150 |
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Ernest M. Skinner Company
Boston, Mass. – Opus 150 (1911)
Electro-pneumatic action
4 manuals, 104 stops, 81 ranks, 5,614 pipes
The Great Organ was built by the Ernest M. Skinner Company in 1911 as a four-manual and pedal organ of 81 ranks, the firm's Opus 150. The contract for the new organ, donated by Governor Levi Parsons Morton, was signed on May 19, 1906 for a cost of $45,000. It was another four years before the structure was sufficiently complete to begin installation of the organ. In early 1911 the organ was completed, and a dedication ceremony took place in April of that year. Skinner's organ introduced several tonal developments, including the French Trumpet, Flugel Horn, Gamba Celeste, and 32' Violone. In 1939 Skinner temporarily removed the console, Great, Swell and the Diapason, Bourdon and Trombone ranks of the Pedal to the concrete partition wall between the Nave and Crossing during the installation of the vaulted ceiling in the Great Choir. Following construction, the organ was reinstalled in 1941. |
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Great Organ (Manual II) – 61 notes
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16 |
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Diapason |
61 |
8 |
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Erzahler |
61 |
16 |
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Bourdon |
61 |
8 |
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Harmonic Flute |
61 |
8 |
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First Diapason |
61 |
4 |
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Octave |
61 |
8 |
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Second Diapason |
61 |
4 |
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Gambette |
61 |
8 |
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Third Diapason |
61 |
4 |
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Flute |
61 |
8 |
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Philomela |
SO |
2 |
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Fifteenth |
61 |
8 |
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Gross Flute |
61 |
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Mixture V ranks |
305 |
8 |
|
Hohl Flute |
61 |
16 |
|
Ophicleide |
SO |
8 |
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Gedackt |
61 |
8 |
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Trombone |
SO |
8 |
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Gamba |
61 |
4 |
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Clarion |
SO |
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Swell Organ (Manual III) – 61 notes, enclosed
|
16 |
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Dulciana |
73 |
4 |
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First Flute |
73 |
16 |
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Bourdon |
73 |
4 |
|
Second Flute |
73 |
8 |
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First Diapason |
73 |
4 |
|
Violina |
73 |
8 |
|
Second Diapason |
73 |
2 |
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Flautino |
61 |
8 |
|
Third Diapason |
73 |
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Mixture V ranks |
305 |
8 |
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Spitzflote |
73 |
16 |
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Trumpet |
73 |
8 |
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Salicional |
73 |
16 |
|
English Horn |
73 |
8 |
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Voix Celeste |
73 |
8 |
|
Cornopean |
73 |
8 |
|
Viola |
73 |
8 |
|
French Trumpet |
73 |
8 |
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Aeoline |
73 |
8 |
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Oboe |
73 |
8 |
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Unda Maris |
73 |
8 |
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Vox Humana |
73 |
8 |
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Claribel Flute |
73 |
4 |
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Clarion |
73 |
8 |
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Gedackt |
73 |
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Tremolo |
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4 |
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Octave |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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16 |
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Gedackt |
73 |
2 |
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Piccolo |
61 |
8 |
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Gamba |
73 |
16 |
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Fagotto |
73 |
8 |
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Diapason |
73 |
8 |
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Saxophone |
73 |
8 |
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Geigen Principal |
73 |
8 |
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Clarinet |
73 |
8 |
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Concert Flute |
73 |
8 |
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English Horn |
73 |
8 |
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Quintadena |
73 |
8 |
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Orchestral Oboe |
73 |
8 |
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Dulciana |
68 |
8 |
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Vox Humana |
73 |
8 |
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Dulcet II ranks |
134 |
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Tremolo |
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4 |
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Flute |
73 |
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4 |
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Fugara |
73 |
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Carillon |
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Solo Organ (Manual IV) – 61 notes, enclosed
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8 |
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Stentorphone |
73 |
16 |
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Ophicleide [ext. Tuba] |
12 |
8 |
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Philomela |
73 |
8 |
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Tuba |
73 |
8 |
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Claribel Flute |
73 |
8 |
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Tuba Mirabilis |
73 |
8 |
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Harmonic Flute |
73 |
8 |
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Flugel Horn |
73 |
8 |
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Gamba |
73 |
8 |
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Clarinet |
CH |
8 |
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Gamba Celeste |
73 |
8 |
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Orchestral Oboe |
CH |
4 |
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Octave |
73 |
4 |
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Clarion [ext.] |
12 |
4 |
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Hohlpfeife |
73 |
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Tremolo |
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4 |
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Flute |
73 |
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Pedal Organ – 32 notes
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32 |
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Diapason |
32 |
8 |
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Gedackt [ext.] |
12 |
32 |
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Contra Violone |
32 |
4 |
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Super Octave [ext.] |
12 |
16 |
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Diapason |
32 |
32 |
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Bombarde [ext. Tuba Mir.] |
12 |
16 |
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Second Diapason [ext.] |
12 |
16 |
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Euphonium [ext. Tuba Mir.] |
12 |
16 |
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Violone [ext.] |
12 |
16 |
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Ophicleide |
SO |
16 |
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First Bourdon |
32 |
16 |
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English Horn |
SW |
16 |
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Second Bourdon |
SW |
8 |
|
Tuba Mirabilis |
SO |
16 |
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Gamba |
CH |
8 |
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Tuba |
SO |
16 |
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Dulciana |
SW |
4 |
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First Clarion |
SO |
8 |
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First Octave [ext.] |
12 |
4 |
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Second Clarion |
SO |
8 |
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Second Octave [ext.] |
12 |
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Sources:
Aeolian-Skinner Archives: http://aeolian-skinner.110mb.com/
Cathedral Church of St. John the Divine website: http://www.stjohndivine.org/
Dolkart, Andrew S. and Matthew A. Postal. Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Kinzey, Allen, and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List. New Rev. Ed. Richmond: The Organ Historical Society, 1997.
"Stop, Open and Reed – a Periodical Presentation of Pipe Organ Progress". Boston: Skinner Organ Company, 1922-1927.
Photos:
Holden, Dorothy. The Life and Work of Ernest M. Skinner: 1911 Skinner console.
Lawson, Steven E.: 2008 photo of exterior showing South Tower. |
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