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St. Paul's Chapel – Trinity Church
(Episcopal)
Broadway at Fulton Street
New York, N.Y. 10006
http://www.saintpaulschapel.org
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| West Entrance and Cemetery (1898) |
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St. Paul's Chapel was built from 1764 to 1766 as a "Chappell of Ease" of Trinity Church to serve those parishioners who resided amidst the wheat fields and countryside north of the city. Today, St. Paul's Chapel is Manhattan's oldest public building in continuous use, and its remaining colonial church. The Georgian Classic-Revival style building, which resembles the Church of St. Martin-in-the-Fields in London, was designed by Andrew Gautier (although for many years credit went to Thomas McBean). The ornamental design of the "Glory" over the altar is the work of Pierre L'Enfant, who designed Washington, D.C. The "Glory" depicts Mt. Sinai in clouds and lightning, the Hebrew word for "God" in a triangle, and the two tablets of the Law with the Ten Commandments. The pulpit is surmounted by a coronet and six feathers. Fourteen original cut-glass chandeliers hang in the nave and the galleries. The distinctive wooden steeple, as designed by James Crommelin Lawrence, was added in 1794. Two bells are in the spire: the first inscribed "Mears London, Fecit [Made] 1797," and the second bell, made in 1866, was added in celebration of the chapel's 100th anniversary. President George Washington, who was inaugrated in 1789, worshiped at St. Paul's during the two years that New York City was the nation's capital.
Immediately following the September 11, 2001 terrorist attack on the World Trade Center, St. Paul's Chapel, located just a few hundred feet east of the site, became a shelter and comfort center for the many people who assisted in the rescue and recovery efforts. Its old pews became a place for prayer and rest, its fence was covered with posters and snapshots of missing persons, and a kitchen was set up for the many volunteers. In the ensuing years, the pews (except those used by George Washington and the governor) have been removed to storage and the chapel has become a center for meditation. |
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Schlicker Organ Company
Buffalo, N.Y. (1964); reb. Andover Organ Company (1981)
Mechanical key action
Electro-pneumatic stop action
Slider wind chests
2 manual, 25 stops, 33 ranks
The present organ in St. Paul's Chapel was built in 1964 by the Schlicker Organ Company of Buffalo, replacing the previous Aeolian-Skinner organ from 1950. Robert Arnold, Assistant Organist for Trinity Church and the New York area representative of the Schlicker Organ Company, handled the details of the sale. Mr. Arnold supplied the following information for the press:
"The rear gallery installation was patterned after the classic organs of Arp Schnitger with slider chests throughout and tracker key action. The wind pressure for the instrument is 2" and all pipes are voiced with no nicking. The display pipes are of 90% tin and are speaking pipes; all other manual and pedal principal and mixture pipes from 4' C up are of 85% tin.
"The mahogany organ case was built around 1803 by John Geib [later modified by the J.H. & C.S. Odell Company] and was restored by Schlicker in 1964. The placement of the divisions within the case is as follows: Positiv on the bottom, Hauptwerk on top with the Pedal on either side. Each division has its own reflective housing.
"The manuals are arranged with Hauptwerk on bottom, Positiv on top with ivory naturals and ebony sharps. The combination action is with setter board and electro-pneumatic stop action."
In 1981, the organ was rebuilt by the Andover Organ Company (as Op. R-248) of Methuen, Mass. Following the terrorist attack of September 11, 2001, the organ was silenced, but in 2009 the organ was partially cleaned and made playable by Mann & Trupiano of Brooklyn so that it could be used on Easter Day 2009. |
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Hauptwerk (Manual I) – 56 notes
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16 |
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Quintadena |
56 |
2 2/3 |
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Quint |
56 |
8 |
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Principal |
56 |
2 |
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Octave |
56 |
8 |
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Rohrgedeckt |
56 |
1 3/5 |
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Terz |
56 |
4 |
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Octave |
56 |
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Mixture IV-V ranks |
268 |
4 |
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Spitzflöte |
56 |
8 |
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Trompete |
56 |
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Positiv (Manual II) – 56 notes
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8 |
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Holzgedeckt |
56 |
1 |
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Sifflöte |
56 |
4 |
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Principal |
56 |
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Scharf III ranks |
168 |
4 |
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Rohrflöte |
56 |
8 |
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Krummhorn |
56 |
2 |
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Gemshorn |
56 |
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Tremolo |
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1 1/3 |
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Klein-Nasat |
56 |
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Pedal – 30 notes
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16 |
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Subbass |
30 |
2 |
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Nachthorn |
30 |
8 |
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Principal |
30 |
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Mixture III ranks |
90 |
8 |
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Flachflöte |
30 |
16 |
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Fagott |
30 |
4 |
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Choralbass |
30 |
4 |
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Schalmei |
30 |
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Couplers (duplicated by reversible toe studs)
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Hauptwerk to Pedal |
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Positiv to Hauptwerk |
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Positiv to Pedal |
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Adjustable Combinations (by setterboard)
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| Hauptwerk |
Pistons 1-2-3-4 (thumb) |
| Positiv |
Pistons 1-2-3-4 (thumb) |
| Pedal |
Pistons 1-2-3 (thumb & toe) |
| General |
Pistons 1-2-3-4-5 (toe) |
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Cancel (thumb) |
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Aeolian-Skinner Organ Company, Inc.
Boston, Mass. – Opus 768-A (1950)
Electro-pneumatic key and stop action
3 manuals, 54 stops, 58 ranks
The 1929 Skinner organ was revised and enlarged by Aeolian-Skinner in 1950. When the Schlicker organ was installed in 1964, the Aeolian-Skinner organ was rebuilt and altered by Schlicker and moved to the Chapel of the Intercession, Trinity's cemetery chapel located in Washington Heights. |
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Great Organ (Manual II) – 61 notes
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16 |
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Quintaton |
61 |
4 |
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Rohrflöte |
61 |
8 |
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Diapason |
61 |
2 2/3 |
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Quint |
61 |
8 |
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Bourdon |
61 |
2 |
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Super Octave |
61 |
8 |
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Erzähler |
61 |
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Fourniture IV ranks |
244 |
4 |
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Principal |
61 |
8 |
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Trumpet |
61 |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
2 |
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Flautino |
61 |
8 |
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Diapason |
73 |
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Plein Jeu V ranks |
305 |
8 |
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Rohrflote |
73 |
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Cymbel III ranks |
183 |
8 |
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Salicional |
73 |
16 |
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Bombarde |
73 |
8 |
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Voix Celeste |
73 |
8 |
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Trompette |
73 |
8 |
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Aeoline |
73 |
8 |
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Oboe |
73 |
8 |
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Unda Maris [TC] |
61 |
4 |
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Clarion |
73 |
4 |
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Octave |
73 |
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Tremolo |
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4 |
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Flute |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Chimney Flute |
73 |
2 |
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Piccolo |
61 |
8 |
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Viola |
73 |
8 |
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Clarinet |
73 |
8 |
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Dulciana |
73 |
8 |
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French Horn |
73 |
4 |
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Prestant |
73 |
8 |
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English Horn |
73 |
4 |
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Koppelflöte |
73 |
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Tremolo |
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Positiv Organ (Manual I) – 56 notes
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8 |
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Nason Flute |
56 |
2 |
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Zauberflöte |
56 |
4 |
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Prinzipal |
56 |
1 3/5 |
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Terz |
56 |
2 2/3 |
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Nazat |
56 |
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Zimbel III ranks |
168 |
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Pedal Organ – 32 notes
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16 |
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Principal |
32 |
8 |
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Still Gedeckt |
SW |
16 |
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Violone [unit] |
44 |
4 |
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Choral Bass |
— |
16 |
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Quintaten |
GT |
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Mixture III ranks |
96 |
16 |
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Echo Lieblich |
SW |
16 |
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Posaune [ext. GT Trumpet] |
12 |
8 |
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Principal [unit] |
44 |
8 |
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Trumpet |
GT |
8 |
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Cello |
— |
4 |
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Clarion |
GT |
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Skinner Organ Company
Boston, Mass. – Opus 768 (1929)
Electro-pneumatic key and stop action
3 manuals, 43 stops, 41 ranks
An entirely new organ was built in 1929 by the Skinner Organ Company of Boston. Skinner reused the 1802 Geib case, as enlarged in 1870 by J.H. & C.S. Odell. The detached three-manual drawknob console was located to the left of the case. |
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Great Organ (Manual II) – 61 notes
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8 |
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First Diapason |
61 |
4 |
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Flute * |
61 |
8 |
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Second Diapason |
61 |
2 |
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Fifteenth |
61 |
8 |
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Principal Flute * |
61 |
8 |
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French Horn * |
61 |
8 |
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Erzahler |
61 |
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Tremolo (enclosed stops only) |
4 |
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Octave |
61 |
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* in Choir box |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Bourdon |
73 |
2 |
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Flautino |
61 |
8 |
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Diapason |
73 |
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Mixture V ranks |
305 |
8 |
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Salicional |
73 |
16 |
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Waldhorn |
73 |
8 |
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Voix Celeste |
73 |
8 |
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Cornopean |
73 |
8 |
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Aeoline |
73 |
8 |
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Oboe |
73 |
8 |
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Unda Maris [TC] |
61 |
8 |
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Vox Humana |
61 |
8 |
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Rohrflute |
73 |
4 |
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Clarion |
73 |
4 |
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Octave |
73 |
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Tremolo |
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4 |
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Flute |
73 |
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Choir Organ (Manual I) – 61 notes, enclosed
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8 |
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Diapason |
73 |
2 |
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Piccolo |
61 |
8 |
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Gamba |
73 |
8 |
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Clarinet |
61 |
8 |
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Dulciana |
73 |
8 |
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English Horn |
61 |
8 |
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Chimney Flute |
73 |
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Tremolo |
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4 |
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Flute Harmonique |
73 |
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2 2/3 |
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Nazard |
61 |
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Pedal Organ – 32 notes (Augmented)
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16 |
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Diapason ** |
44 |
8 |
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Gedeckt [ext.] |
— |
16 |
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Keraulophone ** |
44 |
8 |
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Still Gedeckt |
SW |
16 |
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Bourdon ** |
44 |
8 |
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Cello [ext.] |
— |
16 |
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Echo Lieblich |
SW |
16 |
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Trombone |
32 |
8 |
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Octave [ext.] |
— |
16 |
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Waldhorn |
SW |
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** pipes reused from previous organ |
Couplers
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Great to Pedal |
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Choir to Great 16', 8', 4' |
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Swell to Pedal 8', 4' |
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Swell to Choir 16', 8', 4' |
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Choir to Pedal 8', 4' |
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Swell 16', 4' |
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Swell to Great 16', 8', 4' |
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Choir 16', 4' |
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Adjustable Combinations
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| Swell Organ |
Pistons 1-2-3-4-5-6 (thumb) |
Ped. to Man. Combs. On & Off |
| Great Organ |
Pistons 1-2-3-4 (thumb) |
Ped. to Man. Combs. On & Off |
| Choir Organ |
Pistons 1-2-3-4-5 (thumb) |
Ped. to Man. Combs. On & Off |
| Pedal Organ |
Pistons 1-2-3 (toe) |
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| Entire Organ |
Pistons 1-2-3-4 (thumb) |
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General Cancel (thumb) |
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Set (thumb) |
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Reversibles
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Great to Pedal (thumb & toe) |
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Swell to Choir (thumb) |
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Choir to Pedal (thumb & toe) |
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Sforzando (thumb & toe) |
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Expression
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Balanced Pedal – Swell Organ |
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Balanced Pedal – Choir Organ |
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Register Crescendo Pedal |
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J.H. & C.S. Odell organ and console |
J.H. & C.S. Odell
New York City – Opus 92 (1870)
Mechanical action
3 manuals, 28 stops, 31 ranks
The second organ in St. Paul's Chapel was built in 1870 by J.H. & C.S. Odell of New York City. In order to accomodate the larger organ, the Odells enlarged the original 1802 Geib case so that it was six feet wider and two feet deeper. The Odells included six each of their patented "Pneumatic Composition knobs" for the Swell and Great divisions, a register crescendo, and two extra thumb pistons that were "reversibles" for the Swell-to-Choir and Great-to-Pedal couplers. The organ's tone was described as "...good, well-balanced, and brilliant; fine contrasts and perfect gradations from the soft to the loud effects are attainable. While the stops present, in detail, many charming characteristics, they blend well one with the other and collectively make a grand ensemble." The Choir reed, termed "Cherubino," was "...formed of reeds placed in bell shaped tubes [i.e., free reeds] ... perhaps the most beautiful stop on the organ, the quality of it is something between a Cremona and Vox Humana." |
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Great Organ (Manual II) – 58 notes
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16 |
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Bourdon |
58 |
2 2/3 |
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Twelfth |
58 |
8 |
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Open Diapason |
58 |
2 |
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Fifteenth |
58 |
8 |
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Bell Gamba |
58 |
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Mixture, 3 ranks |
174 |
8 |
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Stopped Diapason |
58 |
8 |
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Trumpet |
58 |
4 |
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Principal |
58 |
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Swell Organ (Manual III) – 58 notes, enclosed
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16 |
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Bourdon |
58 |
2 |
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Fifteenth |
58 |
8 |
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Open Diapason |
58 |
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Mixture, 4 ranks |
232 |
8 |
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Salicional |
58 |
8 |
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Cornopean |
58 |
8 |
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Stopped Diapason |
58 |
8 |
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Oboe |
58 |
4 |
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Principal |
58 |
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Choir Organ (Manual I) – 58 notes
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8 |
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Keraulophone |
58 |
4 |
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Wald Flute |
58 |
8 |
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Dulciana |
58 |
2 |
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Piccolo |
58 |
8 |
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Melodia |
58 |
8 |
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Cherubino [free reed] |
58 |
4 |
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Principal |
58 |
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Pedal Organ – 27 notes
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16 |
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Double Open Diapason |
27 |
8 |
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Violoncello |
27 |
16 |
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Keraulophone |
27 |
8 |
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Gamba |
27 |
10 2/3 |
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Quint |
27 |
16 |
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Trombone |
27 |
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George Pike England
London, England (1802)
Mechanical action
3 manuals, 17 stops, 25 ranks
The first organ installed in St. Paul's Chapel was built in 1802 by George Pike England. It was installed in a case built that same year by John Geib, an organ builder in New York. By 1870, the 1802 England organ had undergone a good deal of alteration in the 68 years since its installation. The Odells took the instrument in trade against the $9,000 contract price of the new organ. It was rebuilt in their shops as opus 102, and subsequently placed in St. Mary's Church, Port Jefferson, NY, in 1871, where it remained until being discarded in 1963. |
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Great Organ – 58 notes (GG, AA–f3)
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Open Diapason |
34? |
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Sesquialtra, 3 ranks |
174 |
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Open Diapason to gamut G |
24? |
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Cornet, 5 ranks mounted |
232 |
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Night Horn |
58 |
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Trumpet |
58 |
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Fifteenth |
58 |
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Swell Organ – 35 notes (from tenor g)
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Open Diapason |
35 |
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Cornet [3 ranks?] |
105? |
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Stop Diapason |
35 |
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Trumpet |
35 |
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Principal |
35 |
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Hautboy |
35 |
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Choir Organ – 58 notes – 58 notes (GG, AA–f3); permanently coupled to Great
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Stop Diapason |
58 |
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Flute |
58 |
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Dulceana |
58 |
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Cremona |
58 |
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Principal |
58 |
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Tremulant to whole organ |
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Sources:
Aeolian-Skinner Archives web site: http://aeolian-skinner.110mb.com/
Arnold, Robert. Specifications and description of the Schlicker organ (1964). The American Organist (June 1964).
Dix, Morgan. A History of the Parish of Trinity Church in the City of New York. New York: G.P. Putnam's Sons, 1898.
Dolkart, Andrew S. and Matthew A. Postal.Guide to New York City Landmarks (Third Edition). New York City Landmarks Preservation Commission. Hoboken: John Wiley & Sons, Inc. 2004.
Dunlap, David. From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship. New York: Columbia University Press, 2004.
Holden, Dorothy. The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society, 1987.
Kinzey, Allen, and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List. New Rev. Ed. Richmond: The Organ Historical Society, 1997.
Ochse, Orpha. The History of the Organ in the United States. Bloomington, Indiana University Press, 1975.
Ogasapian, John. Organ Building in New York City: 1700-1900. Braintree: The Organ Literature Foundation, 1977.
St. Paul's Chapel web site: http://www.saintpaulschapel.org/
Trupiano, Larry. Specifications of Skinner Organ, Op. 768 (1929).
Illustrations:
Blanton, Joseph E. The Organ in Church Design. Albany: Venture Press, 1957. Skinner organ, Op. 768 (1929).
Dix, Morgan. A History of the Parish of Trinity Church in the City of New York. Exterior (c.1898).
Lawson, Steven E. Interior; Schlicker organ (1964).
Lewis, James. J.H. & C.S. Odell organ, Op. 92 (1870).
Moses, Arnold. Organ in West Balcony (1937). Library of Congress Prints and Photographs Online. |
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