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695 Fifth Avenue (1927-1931) |
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665 Fifth Avenue (1916-1927)
Click on images to enlarge |
Welte-Mignon Studio
695 Fifth Avenue at 54th Street
New York, N.Y. 10022
Organ Specifications:
695 Fifth Avenue at 54th Street (1927-1931)
► III/38 Welte-Mignon (1927)
665 Fifth Avenue at 53rd Street (1916-1927)
► III/28 Welte & Sons (1916)
273 Fifth Avenue at 29th Street (1910-1916)
• various orchestrions |
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273 Fifth Avenue (1910-1916) |
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Organs in studio at 695 Fifth Avenue at 54th Street:
Welte-Mignon Corporation
Bronx, N.Y. (1927)
Electro-pneumatic action
3 manuals, 92 stops, 38 ranks
This organ included a three-manual concert console plus a three-manual roll-recording console attached to the case at the opposite end of the showroom. |
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C O N C E R T C O N S O L E |
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Choir Organ (Manual I) – 61 notes, enclosed
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First Touch |
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Second Touch |
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16 |
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Contra Dulciana |
97 |
8 |
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Diapason [Diaphonic] |
GT |
8 |
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English Diapason |
GT |
8 |
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Tibia |
GT |
8 |
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Concert Flute |
85 |
8 |
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Cellos III ranks |
SW |
8 |
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Gemshorn |
— |
4 |
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Flute [Tibia] |
GT |
8 |
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Dulciana |
73 |
8 |
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Tuba |
GT |
8 |
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Unda Maris |
73 |
8 |
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Clarinet |
— |
4 |
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Traverse Flute |
— |
8 |
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Oboe Horn |
SW |
4 |
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Gemshorn |
— |
8 |
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Chimes |
EC |
2 |
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Piccolo |
— |
2 |
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Glockenspiel |
— |
8 |
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French Horn |
73 |
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Great to Choir 8' |
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8 |
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Clarinet |
73 |
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Swell to Choir 8' |
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8 |
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4 |
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Celesta |
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2 |
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8 |
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Piano |
GT |
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4 |
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Piano |
GT |
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Choir 16', 4', Unison Off |
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Swell to Choir 16', 8', 4' |
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Great Organ (Manual II) – 61 notes, enclosed
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16 |
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Double Diapason [Eng.] |
85 |
1 |
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Twenty-second |
— |
8 |
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Diapason Phonon |
85 |
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Mixture V ranks [collective] |
305 |
8 |
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English Diapason |
— |
8 |
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Tuba |
97 |
8 |
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Tibia Minor |
97 |
4 |
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Cornet [Tuba] |
— |
8 |
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Concert Flute |
CH |
8 |
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Chimes |
EC |
8 |
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Gamba |
73 |
8 |
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Harp |
CH |
8 |
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Gemshorn |
CH |
4 |
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Celesta |
CH |
4 |
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Octave [Eng. Diap.] |
— |
2 |
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Glockenspiel |
CH |
4 |
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Flute Couverte [Tibia] |
— |
8 |
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2 2/3 |
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Twelfth |
— |
4 |
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Piano |
— |
2 |
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Fifteenth |
— |
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Great 16', 4', Unison Off |
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1 3/5 |
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Seventeenth |
— |
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Swell to Great 16', 8', 4' |
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1 1/3 |
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Nineteenth |
— |
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Choir to Great 16', 8', 4' |
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Swell Organ (Manual III) – 61 notes, enclosed
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16 |
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Lieblich Gedeckt |
97 |
16 |
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Contra Fagotto |
97 [sic] |
8 |
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Open Diapason |
73 |
8 |
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Trumpet |
73 |
8 |
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Philomela |
73 |
8 |
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Oboe Horn |
— |
8 |
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Bourdon |
73 |
8 |
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English Horn |
73 |
8 |
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Viola |
97 |
8 |
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Vox Humana |
73 |
8 |
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Violes Celestes II ranks |
146 |
8 |
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Muted Trumpet |
61 |
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[flat and sharp] |
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4 |
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Clarion |
73 |
8 |
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Aeoline |
73 |
8 |
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Harp |
CH |
8 |
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Vox Angelica |
73 |
4 |
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Celesta |
CH |
4 |
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Violin |
— |
2 |
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Glockenspiel |
CH |
4 |
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Wald Flute |
— |
8 |
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Piano |
GT |
2 2/3 |
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Nazard |
— |
4 |
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Piano |
GT |
2 |
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Flautino |
— |
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Swell 16', 4', Unison Off |
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1 3/5 |
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Tierce |
— |
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Choir to Swell 8' |
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Pedal Organ – 32 notes, enclosed
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32 |
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Acoustic Bass [Tibia] |
— |
4 |
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Flute |
CH |
16 |
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Diaphonic Diapason |
GT |
16 |
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Tuba Profunda |
GT |
16 |
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Bourdon [Tibia] |
GT |
16 |
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Contra Fagotto |
SW |
16 |
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Violone |
SW |
8 |
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Tuba Horn |
GT |
16 |
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Contra Dulciana |
CH |
8 |
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Bassoon |
SW |
16 |
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Lieblich Gedeckt |
SW |
8 |
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Chimes |
EC |
8 |
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Octave |
GT |
16 |
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Piano |
GT |
8 |
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Viola |
SW |
8 |
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Piano |
GT |
8 |
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Cellos II ranks |
SW |
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Choir to Pedal 8' |
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8 |
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Open Flute |
CH |
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Great to Pedal 8' |
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8 |
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Gedeckt |
SW |
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Swell to Pedal 8', 4' |
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4 |
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Violin III ranks |
SW |
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E C H O
In a basement chamber, speaking through a tone chute and
an ornamental iron grill in the wall opposite the main organ. |
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Accompaniment Organ (Manual I) – 61 notes, enclosed
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8 |
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Horn Diapason |
— |
4 |
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Viola |
— |
8 |
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Cor de Nuit |
— |
8 |
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8 |
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Viola Aetheria |
— |
4 |
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Celesta |
— |
8 |
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Vox Angelica |
— |
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Main Off |
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4 |
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Flute |
— |
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Solo Organ (Manual II) – 61 notes, enclosed
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16 |
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Contre Viole |
85 |
4 |
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Viola |
— |
8 |
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Horn Diapason |
73 |
2 |
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Echo Piccolo |
— |
8 |
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Cor de Nuit |
97 |
8 |
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Corno d'Amore |
73 |
8 |
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Quintadena |
73 |
8 |
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Vox Humana |
61 |
8 |
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Viola Aetheria |
— |
4 |
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8 |
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Vox Angelica |
73 |
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Echo 16', 4' |
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4 |
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Flute |
— |
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Main Off |
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Pedal Organ – 32 notes, enclosed
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16 |
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Bourdon |
— |
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Accomp. to Pedal 8' |
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8 |
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Gedeckt |
— |
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Solo to Pedal 8' |
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8 |
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Viola |
— |
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Main Off |
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Adjustable Combinations (remote control – inside setter)
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Seven toe pistons affecting stops and couplers of Pedal organ |
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Seven double touch pistons affecting stops and couplers of Choir and Pedal organs |
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Seven double touch pistons affecting stops and couplers of Great and Pedal organs |
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Seven double touch pistons affecting stops and couplers of Swell and Pedal organs |
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Five pistons affecting stops and couplers of Echo and its Pedal organ |
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Ten universal key touches affecting stops and couplers of entire organ |
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On and off switch connecting couplers to manual and pedal combinations |
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On and off switch connecting octave couplers of each manual to its manual combinations |
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Five cancel key touches affecting respective groups |
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General cancel key touches affecting entire organ, duplicated by toe piston |
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Combination setter piston |
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Tremolo cancel piston |
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Tremolos
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Tremolo for Choir (light wind stops) |
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Tremolo for Echo |
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Tremolo for Great (heavy wind stops) |
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Vibrato for Vox Humana, main organ |
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Tremolo for Swell |
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Vibrato for Vox Humana, echo organ |
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R E C O R D I N G C O N S O L E |
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Echo Organ (Manual I) – 61 notes, enclosed
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8 |
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Cor de Nuit |
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8 |
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Vox Humana |
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8 |
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Viola Aetheria |
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Tremolo |
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8 |
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Quintadena |
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Echo 16', 4' |
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Great Organ (Manual II) – 61 notes, enclosed
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8 |
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English Diapason |
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8 |
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French Horn |
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8 |
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Concert Flute |
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8 |
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Harp |
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8 |
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Gamba |
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8 |
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Chimes |
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8 |
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Dulciana |
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Great 16', 4', Unison Off |
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8 |
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Unda Maris |
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Swell to Great 16', 8', 4' |
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4 |
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Traverse Flute |
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Swell Organ (Manual III) – 61 notes, enclosed
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8 |
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Open Diapason |
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8 |
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Cornopean Bass |
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8 |
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Philomela |
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8 |
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Cornopean Treble |
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8 |
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Bourdon |
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8 |
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Trumpet |
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8 |
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Viola |
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8 |
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Oboe Horn |
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8 |
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Flauto Dolce |
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8 |
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Vox Humana |
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8 |
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Aeoline |
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Tremolo |
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16 |
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Clarinet |
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Swell 16', 4', Unison Off |
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Pedal Organ – 32 notes, enclosed
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16 |
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Bourdon |
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16 |
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Tuba Profunda |
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16 |
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Violone |
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Great to Pedal 8' |
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16 |
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Lieblich Gedeckt |
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Swell to Pedal 8', 4' |
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8 |
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Flute |
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Adjustable Combinations(Recorder Board)
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Six double touch pistons affecting Great and Pedal stops and couplers |
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Six double touch pistons affecting Swell and Pedal stops and couplers |
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Three pistons affecting Echo stops and couplers |
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Six universal pistons affecting stops and couplers of entire organ |
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One double touch cancel piston for Great and Pedal stops and couplers |
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One double touch cancel piston for Swell and Pedal stops and couplers |
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One Echo cancel piston |
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One universal cancel piston |
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Accessories
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Balanced Expression Pedal – Main organ |
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Swell to Pedal Reversible |
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Balanced Expression Pedal – Echo organ |
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Indicators for Crescendo, etc. |
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Balanced Crescendo Pedal |
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Cancel for Concert console |
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Great to Pedal reversible |
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Reproduction Controls
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Starter |
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Re-roll |
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Tempo |
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Repeat |
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Recording Accessories
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Signal light from and signal button to recording machine |
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Dictograph at Console and Recorder |
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Organ in studio located at 665 Fifth Avenue at 53rd Street:
Welte & Sons Co.
Poughkeepsie, N.Y. (1916)
Actually built by the Ernest M. Skinner Company
Boston, Mass. – Opus 253 (1916)
Electro-pneumatic action
3 manuals, 33 stops, 28 ranks
This organ was subcontracted to the Ernest M. Skinner Company (Op. 253) by Welte & Sons Company of Poughkeepsie, N.Y. It was subsequently sold to Eugene I. Meyer and installed in his 28,322-square-foot mansion at "Seven Springs" in Mt. Kisco, N.Y. Mr. Meyer (1875–1959) was an American financier, public official, Chairman of the Federal Reserve, first President of the World Bank, and publisher of the Washington Post newspaper. He was the father of Katharine Graham, who took over the reins of the Post in 1963.
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| Welte Organ relocated to Speyer Technik Museum |
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At an unknown time, possibly in the 1970s when the estate was given to Yale University, the organ was sold to Marion R. Frazier of New York City, who installed it in his Automatic Instrument Company studio. In 1990 Frazier sold the organ to Claes O. Friburg, Copenhagen, Denmark, but in 1991 the organ was crated and stored in Shaftsbury, Vt.
In 1993 the organ was acquired by the Speyer Technik Museum, Speyer, German, where it was restored by Gotthard Arnold and his team of the "Fachstätte Historischer Musikautomaten". |
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Great Organ (Manual I) – 61 notes, enclosed
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8 |
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Open Diapason |
73 |
4 |
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Principal |
61 |
8 |
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Violin Diapason |
73 |
4 |
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Flute Harmonic |
61 |
8 |
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Flute Traverso |
73 |
8 |
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Bassoon (Fagotto) |
73 |
8 |
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Violin Solo |
73 |
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8 |
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Viol d'Orchestre |
73 |
8 |
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8 |
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Voix Celeste |
73 |
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Swell Organ (Manual II) – 61 notes, enclosed
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8 |
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Diapason |
73 |
16 |
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Clarinet |
61 |
8 |
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Horn (Gross Flute) |
73 |
8 |
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Oboe |
61 |
8 |
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Bourdon |
73 |
8 |
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Cor Anglais |
61 |
8 |
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Flute Dolce |
73 |
8 |
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Vox Humana |
61 |
8 |
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Viola di Gamba |
73 |
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Tremulant |
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8 |
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Aeoline |
73 |
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4 |
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Viola |
61 |
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Echo (Key Stop in Console) |
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Orchestral Organ (Manual III) – 61 notes, enclosed
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8 |
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Diapason (Violin Diap.) |
GT |
4 |
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Flute Harmonic |
GT |
8 |
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Concert Flute (Fl. Trav.) |
GT |
8 |
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Trumpet |
61 |
8 |
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Gamba (Vln. Solo) |
GT |
8 |
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Orchestral Oboe |
61 |
8 |
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Quintadena |
61 |
8 |
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French Horn |
61 |
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Pedal Organ – 32 notes
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16 |
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Subbass * |
44 |
8 |
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Flute [ext. Subbass] |
— |
16 |
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Bourdon (Soft) |
32 |
16 |
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Trombone |
32 |
16 |
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Violin Bass |
32 |
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* "Loud voiced to go with Tutti" |
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Couplers
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Great to Pedal |
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Swell to Orchestral |
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Swell to Pedal |
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Orchestral to Swell |
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Orchestral to Pedal |
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Swell Super, Sub |
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Swell to Great Sub, Unison, Super |
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Orchestral Super, Sub |
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Orchestral to Great |
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Orchestral Effects
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Balance Swell Pedal |
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Bass Drum |
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Creszendo [sic] |
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Free Combinations |
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Fixed Combinations
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| Great Organ |
Pianissimo, Piano, Mezzoforte, Forte, Tutti |
| Swell Organ |
Pianissimo, Piano, Mezzoforte, Forte, Tutti |
| Orchestral Organ |
Pianissimo, Piano, Mezzoforte, Forte, Tutti |
| Whole Organ |
Pianissimo, Piano, Mezzoforte, Forte, Tutti |
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Sources:
Kinzey, Allen, and Sand Lawn. E.M. Skinner/Aeolian-Skinner Opus List (New Revised Edition). Richmond: The Organ Historical Society, 1997.
Junchen, David L. Encyclopedia of the American Theatre Organ, Vol. II. Pasadena: Showcase Publications, 1985.
"History of the House of Welte," The Music Trade Review (56:12:35).
Kinzey, Allen and Sand Lawn, comps. E.M. Skinner/Aeolian-Skinner Opus List (New Rev. Ed). Richmond: The Organ Historical Society, 1997.
Speyer Technik Museum web site: http://speyer.technik-museum.de/en/en/welte-organ
Stout, Edward Millington III (Hayward, Calif.). Specifications of Ernest M. Skinner organ, Op. 253 (1916) built for Welte & Sons Company. Courtesy Larry Trupiano.
The Welte Philharmonic Organ, pub. by Welte-Mignon Corporation (c.1927). Specifications of Welte-Mignon Organ (1927). Courtesy Larry Trupiano.
Illustrations:
Junchen, David L. Encyclopedia of the American Theatre Organ, Vol. II. Welte-Mignon organ case and console (1927); Welte & Sons organ case (1916).
Lewis, James. Welte & Sons organ (1916) in Speyer Technik Museum, Speyer, Germany.
The Music Trade Review (56:12:35). M. Welte & Sons Studio (c.1912). Courtesy James Lewis.
Wurts Bros. (New York, N.Y.), ca. 1910. Exterior 273 Fifth Avenue. Collection of the Museum of the City of New York. Wurts Bros. (New York, N.Y.), 1927. Exterior 695 Fifth Avenue. Collection of the Museum of the City of New York. |
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